hip hop
Blaze: the Streetdance Sensation, Peacock TheatreTuesday, 16 March 2010
With a title like that, and a slug across the posters that so boastingly prejudges last night's premiere, some of us might keep our sceptical specs on when we turn up at the spirits-lowering Peacock Theatre to see this latest leap by mainstream... Read more... |
Plastic People vs the MinistryMonday, 22 February 2010
Two London clubs currently appear to be under threat. The Ministry of Sound, one of the most successful brands in club music's history, is kicking up a fuss because new housing block planned opposite it may make it vulnerable to noise complaints.... Read more... |
Original Cultures London announcedThursday, 04 February 2010Original Cultures is an artistic collective with bases in the UK, Italy and Japan, dedicated to audiovisual collaborations inspired by street art, graffiti, hip hop and electronic music. It is staging its first London event over the course of a week... Read more... |
Q&A special: Rave for HaitiFriday, 22 January 2010
Amongst all the musical benefits for the victims of the Haiti earthquake, one club event which took place on Wednesday night in London stands out as a small, but powerful, beacon of hope. Not because it could rival Jay Z and U2 for levels of funds... Read more... |
Pied Piper, Barbican & Into the Hoods, QEHWednesday, 16 December 2009
Hip hop is the new ballet. Instead of mostly girls in tutus, mostly boys in tracksuits; instead of pointe-shoes, trainers; instead of arabesques and fouettés, handstands and windmills; above all, instead of nice, nasty. The smell on stage is burning... Read more... |
Rustie, Dâm Funk, LightboxFriday, 13 November 2009
Londoners, we know, can be spoilt. Certainly the crowd, predominantly of nerds in rare and expensive trainers, at the Lightbox last night didn't seem to be overly bubbling with enthusiasm despite an exciting lineup of talent and astonishing... Read more... |
Chap-Hop, Straight out of SurreyWednesday, 28 October 2009"Hip-hop has been a commercial proposition since the release of 'Rapper’s Delight' in 1979. That’s 30 years, a long time for any genre," writes Sasha Frere-Jones in this week's New Yorker. The genre, according to Frere-Jones, is on the way out. Not... Read more... |
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