sat 20/09/2025

Handel

Tamerlano, Royal Opera

Graham Vick's Tamerlano is less of an opera and more of a warning. In four and half hours you see 26 ways of how not to handle the Baroque aria. Dramatic success in Handel and his psychological flights of mainly soliloquising fancy is never easy but...

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Birthdays on the Tube: 21-27 February

Johnny Cash

This week’s birthday videos include guitarists Andrés Segovia playing a fandango, Japanese heavy metal hero Akira Takasaki and George Harrison. Then there’s Johnny Cash and murdered Afghan singer Nusrat Parsa. It's also the birthday of the mighty...

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Philippe Jaroussky, Concerto Cologne, Barbican

Nesting gay men and posh female totty by the bucketload in the audience last night. Fill any programme with Baroque opera and that’s what you get. Why? Because the Baroque is aspirational pop. It's grounded in the same musical tricks that drive on...

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Messiah, ENO

Communion and community: Warner's Messiah mixes the sacred and the everyday

There are so many ways a dramatic production of Messiah can go wrong it is almost unbearable to think about it. Certainly, there was a palpable buzz of nervousness in the Coliseum about last night’s audience as they took their seats. Did English...

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The Seckerson Tapes: Messiah, ENO

With its powerfully emotive stagings of Bach's St John Passion and Verdi's Requiem English National Opera has built something of a reputation for bringing sacred masterworks to the secular stage. Award-winning director Deborah Warner, conductor and...

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Handel Remixed, Barbican

Are you allowed to like both Andreas Scholl and David Daniels? I've always felt slightly guilty over this one - it feels somewhat indecent to listen ruthlessly to Scholl for some pieces, and drop him like a spurned lover for Daniels when the mood...

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