Handel
Handel Singing Competition Final, St George's Hanover SquareTuesday, 21 April 2015
You only have to look down the list of recent winners of the Handel Singing Competition – Andrew Kennedy, Elizabeth Atherton, Ruby Hughes, Sophie Junker – to see its pedigree, its knack for spotting serious talent. Yet you also only have to look... Read more... |
Giove in Argo, Britten Theatre, Royal College of MusicWednesday, 25 March 2015
If you’re looking for rare festival Handel, better a pasticcio – take that as shorthand for a cut-and-paste job mostly from previous hits – than one of those original operas in which the composer only goes through the motions (and I’ve heard a few... Read more... |
Best of 2014: OperaSaturday, 27 December 2014
When everything works – conducting, singing, production, costumes, sets, lighting, choreography where relevant – then there’s nothing like the art of opera. But how often does that happen? In my experience, very seldom, but not this year. It's been... Read more... |
Messiah, OAE, Howarth, Royal Festival HallWednesday, 10 December 2014
Goldilocks would not have been a good conductor. There’s a reason why there isn’t a dynamic marking between mezzo forte and mezzo piano. Mezzo on its own would be a pretty bland state of affairs, sat solidly in an inoffensive state of not-too-loud-... Read more... |
Alcina, The English Concert, Bicket, Barbican HallSaturday, 11 October 2014
What’s the collective noun for mezzo-sopranos? A "warble"? A "might"? A "trouser"? Whatever it is, it doesn’t get a lot of usage outside a choral context. Where in opera would you ever find multiple mezzos sharing a stage? Hardly anywhere. Except,... Read more... |
Remembering Christopher Hogwood (1941-2014)Saturday, 27 September 2014
He was not only a bracing conductor/harpsichordist pioneer in period-instrument authenticity, writes David Nice, but also a gentleman and a scholar. My only direct acquaintance with Christopher Hogwood, who died earlier this week at the age of 73,... Read more... |
Rinaldo, Glyndebourne Festival OperaSunday, 10 August 2014
God it’s good to laugh in an opera house. Not a hear-how-clever-I-am-to-get-the-laborious-operatic-joke laugh, or an I-realise-this-is-supposed-to-be-funny-so-I’m-playing-along one, but a real, spontaneous laugh that tickles into sound before you’ve... Read more... |
Prom 16: Borusan Istanbul Philharmonic, Goetzel/Prom 17: Les Arts Florissants, ChristieWednesday, 30 July 2014
The sprightly tread of Handel’s Queen of Sheba, attended by two wonderful Turkish oboists, wove the most fragile of gold threads between full orchestral exotica and Rameau motets of infinite variety last night. Not that any more links need be found... Read more... |
Nightmare in Aix: Sarah Connolly on a shocking first nightTuesday, 08 July 2014
I felt so shocked by the events that took place during the premiere of Handel’s Ariodante on 3 July in the Festival d’Aix-en-Provence last week, and so disappointed that our painstaking work with director Richard Jones over the last six weeks had... Read more... |
Pinnock's Passions, Handel's Garden, Sam Wanamaker PlayhouseTuesday, 08 July 2014
The latest in a series of "Pinnock’s Passions" concerts at the Sam Wanamaker Playhouse saw the doyen of period instrument performance lead a delightful exploration of Handel the musical borrower, entitled "Handel’s Garden". As Trevor Pinnock writes... Read more... |
Joshua, Göttingen FO, Cummings, St John's Smith SquareMonday, 26 May 2014
This was smart programming. The final night of London's Lufthansa Festival of Baroque Music presented the forces of the Göttingen Ha(e)ndel Festival. Both festivals - the London one ended last night, the Göttingen one starts next week - have taken... Read more... |
Messiah at the Foundling Hospital, BBC TwoSunday, 20 April 2014
The last time the BBC dramatised the creation of a great musical work, it didn’t quite hit the spot. Eroica starred Ian Hart as Beethoven glowering at the heart of a drama which had rather less of a narrative through-line than the symphony it... Read more... |
