thu 10/07/2025

Glyndebourne

The Moderate Soprano, Hampstead Theatre

Remember back when David Hare was left-wing? I’m not sure that he does. Between the affectionate, bittersweet nostalgia of South Downs and now The Moderate Soprano – a stroll through the verdant history of England’s most...

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Ravel Double Bill, Glyndebourne

Ask opera-lovers to name their favourite one-acter and chances are the choice will be L’enfant et les sortilèges. Colette’s typically off-kilter fable of a destructive kid confronted with the objects and animals he’s damaged is set by Maurice...

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Saul, Glyndebourne

I can’t remember a time I felt so profoundly disquieted by a Handel staging. It’s partly that, as an oratorio, Saul breaks so many dramatic rules that lend the operas their reassuring structural certainty, but there’s also something – a tenderness...

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The Rape of Lucretia, Glyndebourne

Britten’s first chamber opera is very much a Glyndebourne piece; its world premiere in the old festival theatre in July 1946 was also the festival’s inaugural post-war production. It brought into being the English Opera Group, and led soon...

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Die Entführung aus dem Serail, Glyndebourne

What a difference seven years can make to a budding genius. Mozart’s La finta giardiniera (1775) has only patches of brilliance, and last year’s Glyndebourne production, despite musical excellence, failed them all. This time an experienced director...

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Carmen, Glyndebourne Festival Opera

After Calixto Bieito’s radical reimaging of Carmen, which opened at English National Opera this week, David McVicar’s version at Glyndebourne was bound to seem conservative. But it turned out to be a comparison of apples and Seville oranges: Bieito...

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Poliuto, Glyndebourne Festival Opera

Fashion is a funny thing, in opera no less than the sartorial trappings that go with it (everything from tight, hipster trews to billowing ballgowns at last night's Glyndebourne season opening, in case you were wondering). Donizetti's classical...

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Best of 2014: Opera

When everything works – conducting, singing, production, costumes, sets, lighting, choreography where relevant – then there’s nothing like the art of opera. But how often does that happen? In my experience, very seldom, but not this year. It's been...

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La Traviata, Glyndebourne Tour

Usually, anyone bringing tuberculosis and transgression to the regional centres of Woking, Norwich and Milton Keynes would meet redoubtable opposition. In the case of Glyndebourne’s new touring production of La traviata, that would be a shame,...

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Rinaldo, Glyndebourne Festival Opera

God it’s good to laugh in an opera house. Not a hear-how-clever-I-am-to-get-the-laborious-operatic-joke laugh, or an I-realise-this-is-supposed-to-be-funny-so-I’m-playing-along one, but a real, spontaneous laugh that tickles into sound before you’ve...

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Alright on the Night: at Glyndebourne with the OAE

If you only ever listened to opera from recordings, you might overlook the fact that it's as much theatre as it is music. In the opera house on the night, it's all well and good for the orchestra to play the score and the singers to sing their parts...

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La traviata, Glyndebourne

Some of us have witnessed Traviatas where single stars were born: Angela Gheorghiu for Solti at the Royal Opera nearly 20 years ago springs quickest to mind. Some would claim a dream couple in Anna Netrebko and Rolando Villazon on peak form at...

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