funk
CD: Que Vola - Que VolaFriday, 25 January 2019
Great music is often born of “what if”s. What if we played Beach Boys-style songs lo-fi, loud, at high velocity? What if we played indie guitar with a hint of Congolese rumba? What if we added a string section to late-Sixties pop-rock? What if we... Read more... |
Albums of the Year 2018: Janelle Monáe - Dirty ComputerMonday, 31 December 2018
Janelle Monáe had already established herself as pop’s next great innovator with The ArchAndroid and Electric Ladyland, two albums full of earworms, high production and retro-futuristic lyrics. This all-too-brief musical career seemed in jeopardy... Read more... |
CD: Aloe Blacc - Christmas FunkWednesday, 12 December 2018
Egbert Nathaniel Dawkins III – Aloe Blacc – is one shrewd dude. He's extremely adept at reaching out beyond the confines of his natural beat of funk and soul, whether that's credible (covering The Velvet Underground's “Femme Fatale”) on his... Read more... |
CD: My Baby - MOUNAIKI: By The Bright of the NightSunday, 02 December 2018
My Baby are one of the most exciting live acts currently in existence. They’re a three-piece consisting of Dutch frontwoman guitarist/bassist Cato van Dijk, her brother, drummer Joost, and New Zealand blues rock guitar virtuoso Daniel Johnston.... Read more... |
Best Albums of 2018Wednesday, 31 October 2018
Disc of the Day reviews new albums, week in, week out, all year. Below are the albums to which our writers awarded five stars. Click on any one of them to find out why. Baxter Dury, Etienne de Crécy and Delilah Holliday - B.E.D. ★★★★★ A small... Read more... |
CD: Neneh Cherry - Broken PoliticsSaturday, 13 October 2018
Collaboration clearly suits Neneh Cherry. From co-writing with husband Cameron McVey, to projects with Youssou N’Dour, her band cirKus, The Thing and RocketNumberNine, the give-and-take of partnership has produced some stunning work that has always... Read more... |
CD: Prince - Piano and a Microphone 1983Thursday, 20 September 2018
Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit of tat a la Jimi Hendrix? Will there be half-arsed, half-finished and even fake songs bodged together by... Read more... |
CD: Paul Weller – True MeaningsThursday, 13 September 2018
2017 was a year in which Paul Weller reminded us all why he’s a force to be reckoned with. An impressive foray into the world of soundtracks (the score to Johnny Harris’s Jawbone) was followed by A Kind Revolution, which was, for the most part, a... Read more... |
theartsdesk at Camp Bestival 2018 - from Astley to apocalypseWednesday, 01 August 2018
Gusting. It’s not a word I’ve ever given much thought. You hear it on weather forecasts but I’m not a farmer of a fisherman so when they say it’ll be windy “with possible gusting speeds of up to 45 miles per hour” my brain doesn’t really register... Read more... |
Ryuichi Sakamoto: 'Ideally I'm recording all the time, 24 hours a day' - interviewSaturday, 26 May 2018
Ryuichi Sakamoto has conquered underground and mainstream with seeming ease over four decades, never dropping off in the quality of his releases. Indeed his most recent projects, following his return to public life after treatment for throat cancer... Read more... |
CD: Oliver Way - From The ShadowsMonday, 23 April 2018
There’s a regular problem with techno albums. The DJ-producers who make them are usually so deeply embedded in club techno that when it comes to making a long-form collection, leaving the dancefloor and showcasing variety, they’re incapable. What,... Read more... |
CD: Baloji - 137 Avenue KaniamaThursday, 22 March 2018
The death of “world music” is a wonderfully reassuring thing. That is to say, with every year that passes, it becomes less and less possible for media and consumers to bracket together music from outside the US and Europe as a single thing, and... Read more... |
