festivals
The Moderate Soprano, Duke of York's Theatre review - love and opera with a flinty edgeSaturday, 14 April 2018
"What could be more serious than married life?" asked Richard Strauss, whose operas became a surprising pillar of Glyndebourne's repertoire some time after the early days dramatised in David Hare's play. "Honour" might have been the answer of... Read more... |
theartsdesk at the Lucerne Easter Festival: Haitink, Schiff and an alternative PassionFriday, 30 March 2018
Anyone passionate about great conducting would jump at the chance to hear 89-year-old Bernard Haitink giving three days of masterclasses with eight young practitioners of the art, his eighth and possibly last series in Lucerne (though he's not... Read more... |
theartsdesk in Korea: national pride and candourTuesday, 06 March 2018
Fear not. The Arts Desk has not suddenly sprouted a Sports Desk. Heaven forfend. Korea in late February had more to offer than luge, bobsleigh, skeleton and all the other bemedalled and potentially life-threatening variants of hurling bodies down... Read more... |
theartsdesk in Germany - Baltic mastery in Berlin and LeipzigWednesday, 28 February 2018
Punching well above their weights, population-wise, on the international music scene, Estonia, Latvia and Lithuania are celebrating, and being celebrated, in style over the year of their 100th birthdays. Berlin has just finished a 10-day "Festival... Read more... |
Iceland Airwaves 2017 review - political change at Reykjavík's major music festivalMonday, 13 November 2017
Óttarr Proppé, the stylish chap pictured above, was appointed Iceland’s Minister of Health in January this year. Last Saturday, when the shot was taken, he was on stage in his other role as the singer of HAM, whose invigorating musical blast draws a... Read more... |
Fierce: the Birmingham festival which reaches out to Europe and beyondWednesday, 18 October 2017
Since its inception in 1997 Fierce, Birmingham’s International Festival of Live Art & Performance, has championed the work of performance makers not often seen in Britain. The pantheon of body artists under Mark Ball’s era as director included... Read more... |
Lammermuir Festival 2017 review - rich and deeply rewardingTuesday, 26 September 2017
Increasingly, the Lammermuir Festival is – one audience member whispered conspiratorially to me – what East Lothian music lovers are switching to alongside the Edinburgh International Festival. It’s insidious to compare, of course – but still, you... Read more... |
theartsdesk in Estonia and Latvia - Pärnu Music Festival's great orchestra goes southThursday, 24 August 2017
For the first time ever Paavo Järvi has been showing other nations why the Estonian Festival Orchestra is among the world's best – travelling to other Nordic countries after their annual gathering in Estonia’s summer capital of Pärnu, with the big... Read more... |
Green Man Festival review - rustic Welsh epic is wet but joyfulWednesday, 23 August 2017
After the gruelling five-hour coach journey to Powys, Wales, we strolled over a bridge into Glanusk Park, through two security guards, and into Green Man with only so much as a sing-song “Bore da”. Satisfied, we picked a spot and set up camp in the... Read more... |
Camp Bestival 2017 review - family festival drenched but exuberantWednesday, 02 August 2017
Camp Bestival 2017 was defined by the weather and how everyone reacted to it. DJ-impresario Rob Da Bank’s family festival, which reached its tenth edition this year, took place, as ever, on the Lulworth Estate in Dorset. However, where the previous... Read more... |
Kendal Calling, Lowther Deer Park review - a mini-Glastonbury of the border landsTuesday, 01 August 2017
Kendal Calling is a lovely festival. Charmingly misnamed – it’s set 30 miles from Kendal in Lowther Deer Park, a couple of miles from Penrith, in the northern Lakes – it takes place over four days in spectacularly beautiful Cumbrian countryside. It... Read more... |
Buxton Festival review - early Verdi, earlier Mozart and refreshing BrittenMonday, 10 July 2017
“The subject is neither political nor religious; it is fantastical” wrote Verdi to the librettist Piave about his opera Macbeth. “The opera is not about the rise of a modern fascist: nor is it about political tyranny. It is a study in character”... Read more... |
