festivals
Edinburgh Festival 2018 reviews: Orpheus / Bottom / BackupFriday, 17 August 2018
Orpheus ★★★★ This unashamedly sentimental storytelling show got its premiere a couple of years back in the back garden of a cheese shop in Cromarty, before touring the Scottish Highlands, we’re told. With its lo-fi, minimalist... Read more... |
Edinburgh Festival 2018 review: Zimerman, LSO, Rattle - fizzing chemistrySaturday, 11 August 2018
It was Simon Rattle’s first visit to the Edinburgh International Festival for – well, really quite a few years. And the first of his two concerts with the London Symphony Orchestra drew, perhaps predictably, a capacity crowd in the Usher Hall, for... Read more... |
Edinburgh Festival 2018 reviews: Underground Railroad Game / On the ExhaleFriday, 10 August 2018
Underground Railroad Game ★★★★★ The game of the show’s title is a fun educational exercise on the US Civil War devised by Teacher Caroline and Teacher Stuart at Hanover Middle School, with the aim of bringing alive the flight of... Read more... |
Edinburgh Festival 2018 reviews: Coriolanus Vanishes / Check Up: Our NHS at 70 / A Sockful of CustardWednesday, 08 August 2018
Coriolanus Vanishes ★★★★ Writer and director David Leddy was himself the original solo performer in his Coriolanus Vanishes when it premiered in Glasgow in 2017. But in this powerful, visually stunning outing as part of the Traverse’... Read more... |
Cambridge Folk Festival review - women rule the roostWednesday, 08 August 2018
Twinned with the legendary Newport Folk Festival, founded on Rhode Island in 1959 as a counterpart to the celebrated jazz festival, the Cambridge Folk Festival this year celebrated its 54th birthday under blue skies. The sun shone relentlessly... Read more... |
h 100 Awards: Music - an impressive range of qualityTuesday, 07 August 2018
One of the banes of music culture is over-categorisation. It always has been. The statement that there are only two types of music, good and bad, has been apocryphally attributed to a wide range of figureheads – most especially Louis Armstrong – but... Read more... |
Edinburgh Festival 2018 reviews: Ulster American / Cold BloodMonday, 06 August 2018
Ulster American ★★★★★ David Ireland’s brand new, brutally incendiary black comedy gleefully tosses a grenade into any lazy liberal sensibilities at the festival (and, let’s face it, there are plenty of those). Race, gender, rape, prejudice... Read more... |
WOMAD 2, Charlton Park review - rainbows and rumbaThursday, 02 August 2018
In the days around WOMAD there have been plenty of media about how the “hostile environment” towards migrants has created all sorts of problems for artists attempting to get here from around the world. Certainly, we are being denied some of the... Read more... |
theartsdesk at Camp Bestival 2018 - from Astley to apocalypseWednesday, 01 August 2018
Gusting. It’s not a word I’ve ever given much thought. You hear it on weather forecasts but I’m not a farmer of a fisherman so when they say it’ll be windy “with possible gusting speeds of up to 45 miles per hour” my brain doesn’t really register... Read more... |
theartsdesk in Riga - 43,290 Latvians sing and dance for their countryTuesday, 24 July 2018
"They incessantly break down, destroy and fragment the mistrust that exists among people," wrote a Latvian journalist of a folklore group during the start of the Baltic countries' "singing revolution" against Soviet rule in 1988. This is the recent... Read more... |
theartsdesk at Cornbury: Pixie Lott, Amy MacDonald and Alanis MorissetteThursday, 19 July 2018
Cornbury Festival holds a very special place in my heart. When the babies were young, we realised that if we were going to be up all night without sleep we might as well be sat in a field listening to music rather than staring out of the window at a... Read more... |
Ariadne auf Naxos, Longborough Festival review - appetising energy and witSaturday, 14 July 2018
Much as I love Strauss’s Ariadne in its final form, I have a sneaking nostalgia for the original version (attached to Hofmannsthal’s adaptation of Molière’s Le bourgeois gentilhomme), which had Zerbinetta and her companions popping up after the... Read more... |
