sat 12/07/2025

feminism

Frida Kahlo: Making Her Self Up, V&A review - appearances aren't everything

When in 2004 Frida Kahlo’s bedroom – sealed on the command of her husband Diego Rivera for 50 years from her death – was opened, a trove of clothes and personal items was discovered. They shed new light on the life of this iconic Mexican...

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The Town Hall Affair, The Wooster Group, Barbican review - electric anarchy

Iconoclasm, orgasms, and rampant rhetoric are all on irrepressible display in The Wooster Group’s recreation of the 1971 Manhattan debate that pitted Norman Mailer against some of the leading feminists of the day. The evening proved almost as...

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Ocean's 8 review – half-cocked caper

Perfectly timed, in theory, for the advent of #MeToo and Hollywood’s post-Weinstein era, this girl-power redesign of the Ocean franchise has lined up a turbo-charged cast and then not given them anything very interesting to do. Director and co-...

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CD: Lily Allen - No Shame

Lily Allen has long been an unlikely inhabitant of the tabloid sphere. She was born into it and her pop career sealed the deal, rendering her a recalcitrant victim of paparazzi fishbowl idiocy, ugly magazines and online sidebars. She is, however,...

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Courtney Barnett, Albert Hall, Manchester review - mesmerising indie-rock set

Although once famous for her Australian drawl and hazy jams, on her most recent album Tell Me How You Really Feel, Courtney Barnett has transformed herself into an all-singing indie star, resulting in something more assured, vulnerable, and intense...

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Meg Wolitzer: The Female Persuasion review - the many faces of feminism

Meg Wolitzer’s 10th novel has been hailed as a breakthrough, a feminist blockbuster, an embodiment of the zeitgeist. (Nicole Kidman has bought the film rights, which goes to show.) But in all her fiction, she deftly explores motherhood, career,...

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DVD: Here to Be Heard - The Story of the Slits

Here to be Heard, made by US film-maker and punk rocker William E Badgley, has such a juicy, pertinent story to tell that it never palls. Over 84 minutes, contemporary interviews and old footage build a two act drama that reveals The Slits to be one...

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Sophie Mackintosh: The Water Cure review - on the discipline of survival

A body can be pushed to the brink, to the point where thoughts flatten to a line of light, and come back from death, but the heart is complex and the damage it wreaks barely controllable. For Grace, Lia and Sky, the three sisters of Sophie...

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Female Parts: Shorts, Hoxton Hall review - women speak out

Hot on the heels of International Women’s Day come three monologues written, directed and produced by women showing at Hoxton Hall. It’s kind of a treat, and kind of not.The current laser focus on gender risks the unwanted side-effect of alienating...

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Ursula K Le Guin - Dreams Must Explain Themselves review - enraging and enlightening

Essay collections are happily mainstream now, from Zadie Smith to Oliver Sacks, with more and more bits and bobs coming from unexpected quarters. These patchwork quilts from remarkable writers can be significant, nowhere more so than with those from...

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The B*easts, Bush Theatre review - Monica Dolan is almost flawless

Lila had breast implants at the age of eight. Karen, her mother, is required to take psychotherapy sessions on account of the fact that she arranged for the operation. Tessa (played by Monica Dolan, pictured top and below) is a psychotherapist who...

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Collective Rage, Southwark Playhouse review - a rollicking riot

“Pussy is pussy” and “bitches are bitches” but Jen Silverman’s Collective Rage at Southwark Playhouse smashes tautologies with roguish comedy in a tight five-hander smartly directed by Charlie Parham.The play is set in New York and follows the ad...

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