feminism
Edinburgh Fringe 2019 review: BirthFriday, 09 August 2019
Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival. And judging by their assured and richly resonant... Read more... |
Cindy Sherman: #untitled, BBC Four review - portrait of an enigmaMonday, 29 July 2019
Cindy Sherman predicted the selfie, so goes the claim. From our current standpoint, it is all too easy to analyse her many hundreds of photographic self-portraits made since the late 1970s as cultural forebears of the digital medium. What this BBC... Read more... |
Die Zauberflöte, Glyndebourne Festival review – high jinks in the Grand Mozart HotelFriday, 19 July 2019
Die Zauberflöte rarely attracts the plain cooks of the operatic world. Mozart’s farewell opera chucks so many highly-spiced ingredients into its outlandish pot – pantomime and parable, burlesque and ritual – that many productions opt for one show-... Read more... |
Ewa Banaszkiewicz and Mateusz Dymek: 'Is our film porny?'Wednesday, 17 July 2019
Spoiler alert: About sixty-four minutes into our debut feature film, one of the main female characters undresses for the camera. Alicja is being filmed by the other protagonist, a young American documentarian named Katie. As the sexually charged... Read more... |
Florence + the Machine, BST Hyde Park review - mastering the matriarchyMonday, 15 July 2019
It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and down like a pogo stick, whirling and spinning, or sprinting along the front of the stage to meet fans.... Read more... |
P!nk, Principality Stadium, Cardiff review - stunning theatrics astoundFriday, 21 June 2019
“I want to be just like P!nk,” a little girl screams as the lights begin to dim and the introductory music grows louder. It’s no wonder this leg of the Beautiful Trauma World Tour sold out in under 15 minutes. The whole stadium is packed full of... Read more... |
Blu-ray: My Brilliant CareerTuesday, 11 June 2019
Revisiting Gillian Armstrong's My Brilliant Career for the first time since I saw it in its year of release, 1979, is a mixed experience. I was close in age to its heroine and it was one of the first mainstream feature films I’d ever seen... Read more... |
CD: Kate Tempest - The Book of Traps and LessonsSunday, 09 June 2019
Here’s a strange thing: sit in a quiet room reading through the poems that make up Kate Tempest’s third album and her swirling collage of words drags you in. It’s an opaque concept work, mingling themes of a broken Britain, teetering on the brink of... Read more... |
Freedom Fields review - Libya’s next freedom fightersSaturday, 01 June 2019
Set in the months and years after the Libyan revolution, Freedom Fields follows several women aiming to compete in international football. The documentary finds the players excitedly preparing for their first overseas tournament. However, it soon... Read more... |
Superhoe, Brighton Festival 2019 review - a darkly vital one-woman showWednesday, 22 May 2019
Tonight comes with a caveat, delivered before proceedings begin by the one-woman show’s writer and performer Nicôle Lecky, who’s sitting in a chair centre-stage. She damaged her foot during Sunday’s matinee at the Brighton Festival, dancing about,... Read more... |
Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personalTuesday, 14 May 2019
Dried flowers like offerings lie atop a gauze-covered rectangular frame. Pebbles surround its base alongside plaster casts, a desiccated dragonfly and an animal foot charm. Their placement is purposeful; their exact significance unclear. Four rib-... Read more... |
10 Questions for actress and playwright Nicôle LeckyWednesday, 24 April 2019
Nicôle Lecky’s one woman show Superhoe has added fire to the reputation of an already fast-rising actress and writer. Based around Sasha, a Plaistow girl who aspires to pop stardom, it’s a clear-eyed, very modern play, filled with its central... Read more... |
