wed 21/05/2025

fantasy

His Dark Materials, BBC One review - generic TV fantasy with ready-made twists

The good news is that television's serial slow burn will allow for a lot more original Pullman to make its way to screen than was possible in the one and only instalment of the intended film trilogy, The Golden Compass. Its virtues were many,...

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Maleficent: Mistress of Evil review - fantasy follow-up falls flat

Angelina Jolie is back again with those cut-glass cheekbones and ink-black wings, reprising her role as the self-proclaimed ‘Mistress of Evil’, in Joachim Rønning’s nauseating sequel to the 2014 live-action spin on Sleeping Beauty. As the...

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Ian McKellen On Stage, Harold Pinter Theatre review - a master relishes the joy of theatre

Reviewing Ian McKellen's show is, in one sense, like appraising the Taj Mahal or Mount Everest: he too is an awe-inspiring phenomenon. In another sense, Sir Ian is not like that at all, going out of his way to be available to the adoring patrons...

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CD: The Flaming Lips – King’s Mouth

Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and undeniably fascinating. Perhaps King’s Mouth offers our best chance yet to get in there – the album is an...

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X-Men: Dark Phoenix review - a grand finale

One day, when superhero films are as rare as westerns, we will appreciate the brilliant talent applied to the best of them. X-Men: Dark Phoenix moves with a classic’s smooth conviction from its very first scenes. The simple changing of a family’s...

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Godzilla: King of the Monsters review – spectacular stupidity

Just how many cinematic universes can one planet stand? Gareth Edwards’ 2014 Godzilla and Kong: Skull Island’s Apocalypse Now/ape mash-up suggested there might be useful room for old-school creature features amidst the superhero surfeit. As random,...

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Game of Thrones, Sky Atlantic review - The Battle of Winterfell

It’s been a memorable few days for audiences – big-screen and small – who happily invest years of their lives in epic storytelling. With the dust still settling on Avengers: Endgame, the final season of Game of Thrones has reached its...

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Hellboy review - vivid monster mash

No one was waiting for another Hellboy film, but here this rude, crude reboot is anyway, stomping all over Guillermo del Toro’s 2004 original with freewheeling energy. Based on Mike Mignola’s long-running comic about a grouchy demon summoned from...

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Shazam! review - refreshing super-goofiness

The DC Universe continues to back out of its dark dead end with this satiric kids’ film about the other Captain Marvel. In reality sulky 14-year-old Billy Batson (Asher Angel), he stays a callow teenager inside when the magic word Shazam transforms...

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Border review - genre-defying Oscar-nominated Swedish film

This might just be the most challenging film review I’ve had to write in decades. The best thing would be to go and see Border knowing nothing more than that it won the prize for most innovative film at Cannes. Don't watch the trailer, and...

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Welcome to Marwen review - Carell and Zemeckis fail to hit stride

In the proverbial melting pot, this film has all the right ingredients. Steve Carell, playing aspiring artist Mark Hogancamp and occupying a similar space and place as Tom Hanks did in Forrest Gump, even shares that film’s director...

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The Good Place, E4 review - episode one trails clouds of glory

Welcome to your first day in the afterlife! Everything is fine! Eleanor Shellstrop (a sparkling Kristen Bell) is dead, but hey, that’s cool, because she’s made it into the Good Place. Michael (the divine Ted Danson) is architect of this brightly...

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