sun 13/07/2025

family relationships

Dancing at Lughnasa, National Theatre review - largely ravishing Brian Friel revival

It's saying a lot when a production lives up to its gasp-inducing set. That's the happy case with Josie Rourke's loving revival of Dancing at Lughnasa, which returns Brian Friel's modern-day classic to the building, the National, where this Olivier...

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The Good Person of Szechwan, Lyric Hammersmith review - wild ride in hyperreality slides by

As the UK undergoes yet another political convulsion, this time concerning the threshold for ministers being shitty to fellow workers, it is apt that Bertolt Brecht’s parable about the challenges of being good in a dysfunctional society hits London...

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A Thousand and One review - fighting the system in 1990s New York

AV Rockwell well deserved the Grand Jury award at Sundance in January for her debut feature film, A Thousand and One.It’s hard to believe that this subtle portrait of a troubled young woman trying to raise a child is the work of a first time...

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Lydia Sandgren: Collected Works review - the mysteries that surround us all

Lydia Sandgren’s debut novel, Collected Works, a bestseller in her native Sweden, has now been translated by Agnes Broomé into English, in all its 733-page glory. An epic family saga, it has flavours of the realism of her countryman, Karl Ove...

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One Fine Morning review - Léa Seydoux stars in Mia Hanson-Løve's poignant love story

In the first scene of Mia Hanson-Løve’s wonderful One Fine Morning, Sandra (Léa Seydoux in a minimal, nuanced performance), is trying to visit her father, Georg (Pascal Greggory), in his Paris flat. But, stuck on the other side, he can’t find the...

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Betty Blue Eyes, Union Theatre review - musical revival pigs out on nostalgia

People can’t find the food they want in the shops. Nobody has enough money. Public services are under pressure. And there’s a big Royal occasion to take our minds off things.England 2023? Nah, England 1947, as rationing applies to meat and fruit...

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Succession, Season Four, Sky Atlantic review - powerful beginning for the endgame

How much more is there left to be said about the excellence of Succession? It’s back for a final season, and devotees will pore over every detail, every conversational ploy from robust to downright crude, every chess move on this volatile board. As...

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Marjorie Prime, Menier Chocolate Factory review - superbly acted chiller about a contemporary crisis

Artificial intelligence has become an even hotter topic since Jordan Harrison’s Marjorie Prime was first staged in Los Angeles in 2014, so it’s not surprising that the play’s handling of AI is being seen as its unique selling point. (It subsequently...

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Other People's Children review - a Parisian woman battles the tyranny of the biological clock

“Trapped?” hisses 40-year-old Rachel (Virginie Efira) at her boyfriend, Ali (Roschdy Zem), who has a five-year-old daughter and is returning, for the sake of their child, to his ex-wife, Alice (Chiara Mastroianni). “What’s trapped you? Nothing at...

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Under the Black Rock, Arcola Theatre review - political thriller turns soapy

“Darkly comic thrillers” (as they like to say) set in Ireland tracking how families, or quasi-families, fall apart under pressure are very much in vogue just now. Whether The Banshees of Inisherin will garner the Oscars haul it hardly deserves...

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Will Harris: Brother Poem review - writing the poems that could have been

You shouldn’t always judge a book by its cover, but you can get pretty far with an epigraph. The epigraph to Will Harris’s new collection, Brother Poem (following his T. S. Eliot Prize-shortlisted RENDANG in 2020), is a brief but telling prelude, an...

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Fleishman Is in Trouble, Disney+ review - mid-life crises in Manhattan

As films and television series based in New York City tend to do, Fleishman Is in Trouble opens with an aerial shot of Manhattan – except, significantly, this sequence is presented upside down. To the celestial sound of tinkling arpeggios, the slim...

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