sat 05/07/2025

fairytales

Beauty and the Beast, Royal Lyceum, Edinburgh

This year's seasonal production from the Lyceum is one of those shows that feels more like an uninspired stocking filler than a big, beautiful, beribboned gift. Neither magically Christmassy (it begins on Halloween, and the only substance falling...

Read more...

DVD: Tales From Europe

Nightmarish images abound. There’s a giant plastic fish. There are several scary beards and the world’s most unconvincing bear costume. Often cited as one of the most unsettling of children’s entertainments, The Singing Ringing Tree is reissued by...

Read more...

Kate Rusby, Barbican Hall

Kate Rusby’s Christmas show was a brilliant way to get that festive feeling. Standing on a stage lit by three huge glittering stars and a collection of colourful glowing baubles, she and her band (“the boys”) worked their way through a surprising...

Read more...

Rysanov, BBC Symphony Orchestra, Bělohlávek, Barbican Hall

When telling a complex musical story, handle with care. Interpreters need have no fear of composers who find selective, tone-friendly angles in their literary sources, like Janáček with Gogol’s Taras Bulba in last night’s searing finale, or...

Read more...

Davies, London Symphony Orchestra, Zhang, Barbican Hall

Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level. Viennese late-Romantic Zemlinsky's...

Read more...

theartsdesk Q&A: Choreographer Christopher Wheeldon

Those of us un-Zeitgeisty enough to miss the Royal Ballet’s first new full-length ballet in 20 years during its first run can now catch up. Opus Arte’s DVD release of the televised Alice’s Adventures in Wonderland tells a different story from the...

Read more...

Troll Hunter

The Blair Witch Project’s found-footage horror formula finds an unlikely new ingredient in this Norwegian phenomenon. The monsters disturbed in the woods by an amateur film crew this time are trolls, fairy-tale staples corralled by a top-secret...

Read more...

Die Frau ohne Schatten, Mariinsky Opera, Gergiev, Edinburgh Festival Theatre

Under Western eyes, Gergiev’s Mariinsky forces had been turning to stone – like the titular shadowless woman's solipsistic husband in Richard Strauss and Hugo von Hofmannsthal’s polyphonic fairy tale – each time they stepped outside the Russian...

Read more...

DVD: Hanna

It’s pretty damn cold inside the Arctic Circle, but Eric Bana’s former CIA agent Erik Heller doesn’t notice. Striding out of his wilderness cabin into metres-deep snow, he’s fine in a business suit. Demanding a catering-sized suspension of disbelief...

Read more...

Rusalka returns to the Glyndebourne lake

Kiss him to death: Dina Kuznetsova's betrayed water sprite prepares for the love-death of her Prince (Pavel Cernoch)

It's a bit late for a straight review, I know, as this Glyndebourne Festival Opera revival of one of the most ingenious and (hopefully) enduring productions the company has seen in recent years opened three weeks ago. I was down there yesterday...

Read more...

Cinderella goes to the square

Joyce DiDonato's Cendrillon goes to meet her Prince Charming - and out into Trafalgar Square

Sweetheart American mezzo Joyce DiDonato stayed firmly behind the proscenium arch for yesterday evening's Royal Opera performance of Massenet's Cendrillon - reviewed by theartsdesk on its opening night - but another Covent Garden regular, former...

Read more...

Cendrillon, Royal Opera

After a heap of ashen revivals, it was time for the Royal Opera to take us to the ball in style. Which it does, for the most part. Of course, Massenet's "fairytale after Perrault" isn't Aida, Butterfly, Fidelio, Macbeth orTosca, all of which have...

Read more...
Subscribe to fairytales