mon 16/06/2025

electropop

CD: Blancmange – Semi Detached

After waiting a quarter of a century for Blancmange’s last album, 2011’s Blanc Burn, this new offering, effectively a Neil Arthur solo project, almost feels like a rush release. There’s a much changed visual aesthetic – gone is the stylised, Fifties...

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CD: Charli XCX - Sucker

Had it not been for the fact that Charli “XCX” Aitchison had struggled to find a hit of her own until last summer’s Fault in Our Stars-soundtracking “Boom Clap”, I’d be convinced that she had tapped into some secret formula for producing perfect pop...

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Reissue CDs Weekly: Orchestral Manoeuvres in the Dark

Orchestral Manoeuvres in the Dark: Junk CultureOMD’s fifth album, Junk Culture, followed 1983’s Dazzle Ships into the shops. Where that was experimental, fragmented, wilful, used found sounds and, in places, eschewed melody and traditional song form...

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CD: The dø - Shake Shook Shaken

Whether intentional or not, the third album by French chart-topping duo The dø is effectively a renewal of “Sweet Dreams”-era Eurythmics. The synth bubble-‘n’-pulse and vocal lines nodding towards the choral and gospel inescapably evoke what Annie...

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CD: Bastille – VS (Other People's Heartache pt. III)

At least the concept is more catchy than the title, which won’t be tripping off DJing lips. A mixtape intended to let the band flex its (well-concealed?) experimental muscles, this features collaborations with artists from Haim to Angel Haze and...

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CD: Etienne de Crecy - Super Discount 3

Once up on a time, a long time ago, the pop music of France was a joke to the outside world. Serge Gainsbourg and certain Parisian chanson auteurs received occasional plaudits but, for the most part, coverage consisted of throwaway sniggering at...

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Just in From Scandinavia: Nordic Music Round-Up 12

The voice is unmistakably Icelandic. Fluting and dancing around the notes, the words it carries are broken into segments which don’t respect syllables. Although singing in English, Hildur Kristín Stefánsdóttir hasn’t sacrificed her Icelandic...

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Kylie, iTunes Festival, Roundhouse

Does Kylie exist without spectacle? Take away the 6ft headgear, the sparkly hotpants, the spangly corsets, the team of super-fit dancers dressed like futuristic liquorice allsorts, and what’s left? If you find whatever it is, please let me know....

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theartsdesk in Helsinki: Niubi Festival

Tulegur Gangzi describes his music as “Mongolian grunge” and “nomad rock.” Thrashing at an acoustic guitar, the Inner-Mongolian troubadour is singing in the khomei style, the throat-singing which sounds part-gargle, drone and chant – or all...

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theartsdesk in the Faroes: Disco and Dried Fish

“Tonight, in the Faroe Islands, we’re going to find the greatest dancer.” It’s not an exhortation which often rings out. It could even be a first time The Faroes have been invited to demonstrate their disco prowess. Sister Sledge are on stage and...

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theartsdesk Q&A: Chris & Cosey

Chris Carter and Cosey Fanni Tutti are a living lesson in the rejuvenating power of remaining experimental in art. Their music holds its own alongside the young guns of electronica, who indeed frequently idolise them, and in person they frequently...

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CD: Klaxons - Love Frequency

Klaxons are a great band. They’re also a brutal example of how a great band can make the wrong decisions and scupper themselves. Their Mercury-winning debut album Myths of the Near Future not only captures a moment when dance, rock and pop collided...

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