Edinburgh
Beatson, Scottish Ensemble, Queen's Hall, EdinburghWednesday, 29 October 2014
I declare an interest. In the last 10 years or so the Scottish Ensemble has twice, at my invitation, visited the Borders village where I live, about 30 miles south of Edinburgh. On both occasions the ensemble performed a rich and challenging... Read more... |
The Flouers o'Edinburgh, Finborough TheatreSunday, 07 September 2014
There are 15 characters in Robert McLellan's quirky 1948 comedy, but the star is the language most of them speak. To mark the referendum later this month, the Finborough is mounting a season of Scottish work, including a trio of classics, under the... Read more... |
Les Troyens, Mariinsky Opera, Gergiev, Festival Theatre, EdinburghFriday, 29 August 2014
The Edinburgh Festival reserved its biggest operatic event for last. From St Petersburg, the Mariinsky Opera brought a production of Berlioz’s Les Troyens that could truly be described as epic: a stellar cast, a vast trompe d’oeil set, and an... Read more... |
Edinburgh Fringe 2014: Circa, BeyondThursday, 28 August 2014
Once, the Edinburgh Festival Fringe was all about penniless students presenting avant-garde plays to audiences of three in church halls. These people still come, but now they compete for attention with professional production companies who, it’s to... Read more... |
Patrias, Paco Peña Flamenco Company, Edinburgh PlayhouseThursday, 28 August 2014
Dance as an art form doesn’t have a great track record in social and historical commentary. The endless grey areas, not to mention the complicated details, of history really require words to do them justice. Flamenco, of course, has words, but it’s... Read more... |
Guglielmo Tell, Teatro Regio Torino, Noseda, Usher Hall, EdinburghWednesday, 27 August 2014
First, confessions. I’m the dance critic here at theartsdesk. Yes, this is a review of a concert performance of an opera, and no, I haven’t picked up a detailed knowledge of Rossini’s oeuvre as a byproduct of my education in pirouettes and Pina... Read more... |
Sweet Mambo, Tanztheater Wuppertal Pina Bausch, Edinburgh PlayhouseSunday, 24 August 2014
The Edinburgh Playhouse is the largest UK theatre regularly used for dance. The stalls alone seat more than the total capacity of Sadler’s Wells, and the two circles combined seat even more again, for a maximum audience of 3,059. To see it filled... Read more... |
Wall, Mørk, Melbourne Symphony Orchestra, Davis, Usher Hall, EdinburghFriday, 22 August 2014
The Melbourne Symphony Orchestra’s Edinburgh Festival debut was the most telling example yet of the 2014 festival’s disregard for conventional concert programming. A programme that began with Strauss’ Don Juan and Four Last Songs could easily have... Read more... |
Edinburgh Fringe 2014: MurleyDanceThursday, 21 August 2014
MurleyDance is something of an oddity in the world of small independent dance companies, in that it proudly wears pointe shoes. Yes, this is – according to its own publicity - the only professional classical ballet company attending the Fringe, and... Read more... |
Gnosis, Akram Khan, King's Theatre, EdinburghWednesday, 20 August 2014
In keeping with the trends of recent years, the Edinburgh International Festival is showcasing a small but eclectic dance programme, light on classical ballet and heavy on contemporary, international and fusion. After choreographer Mark Baldwin’s... Read more... |
Edinburgh Fringe 2014: Chris Turner/ BEASTS/ Angela Barnes/ Show PonyTuesday, 19 August 2014
Chris Turner: Pretty Fly, Pleasance Courtyard ****This is Chris Turner's debut show as a stand-up, although his previous experience in improv group Racing Minds gives him a wonderful assurance on stage and an easy rapport with his audience.Turner,... Read more... |
Edinburgh Fringe 2014: Adam Riches/ Josie Long/ Loretta Maine/ Dane Baptiste/ Tom AllenSunday, 17 August 2014
Adam of the Riches, Pleasance Dome ****No one is safe at an Adam Riches show from being grabbed to take part in his frantic sketch comedy; each skit in this hour of anarchy involves audience participation, from using someone's mouth as a cocktail... Read more... |
