Edinburgh Festival
Kolesnikov, Tsoy / Liu, NCPA Orchestra, Chung, Edinburgh International Festival 2025 review - transfigured playing and heavenly desireFriday, 08 August 2025
Say what you like about this year’s slimmer-than-usual Edinburgh International Festival, but when it has hit the spot, it has done so triumphantly. Nowhere has that so far been truer than in the piano playing, as this pair of concerts demonstrated.... Read more... |
Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh International Festival 2025 review - youthful energy and emotional intensityWednesday, 06 August 2025
NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth ensembles, and with a focus on supporting young musicians from communities that are under-represented... Read more... |
Make It Happen, Edinburgh International Festival 2025 review - tutting at naughtinessMonday, 04 August 2025
You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and Morningside areas, the building of Royal Bank of Scotland’s immense Gogarburn HQ, the institution’s towering... Read more... |
Verdi's Requiem / Capriccio, Edinburgh International Festival 2024 review - words, music, judgementTuesday, 27 August 2024
The Philharmonia’s residency was the centrepiece of the Edinburgh International Festival’s final weekend, and it’s right that the orchestra should be the focus because they were consistently the finest thing about both their Verdi Requiem and their... Read more... |
Fire in my mouth, Philharmonia, NYCOS, Alsop, Edinburgh International Festival 2024 review - total work of art for our timesSaturday, 24 August 2024
Commissioned by the New York Philharmonic and premiered in 2018, Julia Wolfe’s Fire in my mouth is a multi-sensory oratorio written to commemorate the 146 workers who perished in a factory fire in what was the deadliest industrial disaster in New... Read more... |
Le nozze di Figaro, Komische Oper Berlin, Edinburgh International Festival 2024 review - great singing wastedTuesday, 20 August 2024
I’m all in favour of the EIF taking artistic risks, and of them bringing a high-prestige international production to Edinburgh. This Marriage of Figaro from Berlin’s Komische Oper is both of those things, because it is the first production by Kirill... Read more... |
Altstaedt, EUYO, Noseda, Edinburgh International Festival 2024 review - inclusive and brilliantMonday, 19 August 2024
People hold lots of different opinions about the European Union, but there’s really only one acceptable opinion to be held about the European Union Youth Orchestra; namely, that they’re brilliant. Their visit to the Edinburgh International Festival... Read more... |
Bostridge, Osborne, Edinburgh International Festival 2024 review - the heights and the abyssFriday, 16 August 2024
When you stop to think about it, Schwanengesang is a pretty ridiculous thing. Schubert’s final song cycle was famously put together by his publishers after his death, and so it’s barely a cycle at all. Therefore, unlike Die schöne Müllerin and... Read more... |
Oedipus Rex, Scottish Opera, Edinburgh International Festival 2024 review - beautifully uncomplexWednesday, 14 August 2024
Immersive opera such as this can be tricky to pull off, but the magic of Roxana Haines’s new production of Stravinsky’s Oedipus Rex lies in its simplicity, letting the material organically weave around the audience without overcomplications or... Read more... |
Bamberg SO, Hrůša / Up Late at the Hub, Edinburgh International Festival 2024 review - death, life and points in betweenMonday, 12 August 2024
When you’re running a three-concert residency, you can afford to take a few repertoire risks, to programme a few things that might be close to your heart but which won’t pack in the punters.That must be the reason why the Bamberg Symphony Orchestra’... Read more... |
Schola Cantorum de Venezuela / Llewellyn, Lepper, Edinburgh International Festival 2024 review - scorching energy and deep tendernessFriday, 09 August 2024
The Queen’s Hall isn’t going to know what has hit it after the opening weekend of this year’s Edinburgh International Festival. What’s usually the festival’s demure home of chamber music – string quartets, piano trios and so on – was still... Read more... |
Bach/Mendelssohn St Matthew Passion / First Night at the Hub, Edinburgh International Festival 2024 review - a reimagining and a joyous celebrationThursday, 08 August 2024
When I first started attending the Edinburgh International Festival in the 1990s, the Opening Concert (capitals intentional) was a grand Usher Hall affair on a Sunday evening; a central work of the western classical tradition to set the festival... Read more... |
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