dance theatre
I Don't Believe in Outer Space, The Forsythe Company, Sadler's WellsTuesday, 22 February 2011
An audience favourite has a USP that fills the house as long as they maintain the suspense - with William Forsythe, it’s the quality Diaghilev prized: unpredictability. When he set out in Germany in the 1980s he evolved an extreme classical ballet.... Read more... |
The Thrill of It All, Forced Entertainment, Riverside StudiosTuesday, 26 October 2010
It’s pretty hard to describe a Forced Entertainment show. But let’s try anyway: imagine a stage full of crazy dancers, the men in black wigs, the women in white ones, prancing around, flinging their arms in the air, mistiming their high kicks, and... Read more... |
Hofesh Shechter's Political Mother, Sadler's WellsThursday, 15 July 2010
In the middle of the pulverisingly loud and utterly thrilling experience that is Hofesh Shechter’s new production Political Mother, I wished suddenly that all dancers could come and see this piece, see what clarion theatre dance can be. If the... Read more... |
BABEL (words), Sidi Larbi Cherkaoui & Antony Gormley, Sadler's WellsTuesday, 18 May 2010
Collaborations for dance, theatre and other things are coming thick and fast at Sadler’s Wells nowadays - these are not halcyon days for pure choreography. Sidi Larbi Cherkaoui has become a regular at Rosebery Avenue with his mixed-theatre works FOI... Read more... |
Pictures from an Exhibition, Sadler's WellsSunday, 25 April 2010
I’ve seen raping Popes, I’ve seen more naked guys dancing with waggling penises than I can count, I’ve seen naked breasts on dancing girls for what feels like all my adult life. But a man with a blood-stained prosthetic cock that looks like a baby’s... Read more... |
Kontakthof, Tanztheater Wuppertal Pina Bausch, Barbican TheatreSunday, 04 April 2010
A house of contact, a place to make contact - this bare, evocative title sits on one of Pina Bausch’s most appealing works, and also its most elastic. Brought this week to the Barbican posthumously, staged by her company on two amateur casts,... Read more... |
theartsdesk Q&A: Meeting Pina BauschTuesday, 30 March 2010
This week the world-renowned Tanztheater Wuppertal Pina Bausch arrives in London - for the first time, without its towering creator. Last summer the German choreographer died at the age of 68. The company intends to continue, despite the dodgy track... Read more... |
Dance 2000-9: From Ballet to Hip HopThursday, 31 December 2009
The Noughts were a bonanza time for builders, scientists and bureaucrats in the dance arena, throwing up numerous fine dance venues and bases, collaborating intellectually with modern choreographers, or targeting social minorities, but the blazing... Read more... |
Eonnagata, Sylvie Guillem/ Robert LePage/ Russell Maliphant, Sadler’s WellsSaturday, 28 February 2009
With five first-magnitude stars in it you're expecting at least a five-star show from Eonnagata, the collaboration between ballerina Sylvie Guillem, theatre director Robert Lepage, choreographer Russell Maliphant, designer Alexander McQueen and... Read more... |
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