mon 14/07/2025

dance music

CD: Adventures in Dubstep and Beyond Volume 2

Ministry of Sound offers up a tour of popular music's cutting edge

Dubstep has now permeated pop. Drum and bass was the last British underground bass music to rub up against the mainstream but back in the mid-Nineties the major labels didn't know what to do with it. Apart from launching Goldie's career and...

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Q&A Special: Electronic Musicians Bonjay

Bonjay's Ian Swain and Alanna Stuart take a break from bass-heavy dancehall futurism

A potent combination of growling electronics, sub-bass frequencies and expressive vocals seems to have moved back to the centre of the UK's pop landscape in recent months, whether via the likes of James Blake, Magnetic Man or even the unlikely...

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Showtime! - UK dancehall on the rise again

Lady Chann: The face of the new wave of UK dancehall

This month sees an audacious attempt to showcase British dancehall music, when the Cargo venue in Shoreditch hosts the multi-artist revue Showtime!. The Heatwave collective have brought together vocalists from various UK underground scenes, linked...

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CD: Moby – Destroyed

Moby's 'Destroyed': A series of meditations on a theme of sadness

What is it with synthesisers and sadness? There’s something inherently melancholic about this instrument, a quality that’s been accentuated by its use in the soundtracks to dystopian movies such as Blade Runner. Moby is a man who has exploited...

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Photo Gallery: Moby, Destroyed

'Unattended Luggage Will Be Destroyed': Moby makes stark photographic use of an airport sign

As well as a new album, Destroyed, Moby is putting out a book of photographic prints under the same title. The idea of the book is to capture the essence of being on a global tour, from the mundanity of waiting in airports to the majesty of...

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CD: Wild Beasts - Smother

Wild Beasts' 'Smother': Their third and most seductive album yet

There's no doubt about it, Hayden Thorpe has the most manly falsetto in modern music. It's not the wheedling whine of the post-Radiohead generation of indie sadsacks, nor the haunted and haunting quaver of an Anthony Hegarty, nor yet the...

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The Mexican Institute of Sound, KOKO

The larger-than-life Camilo Lara of The Mexican Institute of Sound

The downside of this job is that because new CDs are dropping through the letterbox every day, a lot of stuff inevitably gets consigned to the archives and forgotten about, when it really shouldn’t be. So when I heard that The Mexican Institute of...

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Kylie Minogue, O2 Arena

Frothier than a zero-gravity cappuccino, camper than a gay pride march through Brighton, cheesier than all the fromageries in France, and with almost as many beats per minute as a hummingbird’s heart: Kylie is back with a brand new show, and it’s...

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CD: Britney Spears - Femme Fatale

Britney: Definitely femme, lethality unconfirmed at time of going to press

Googling for academic articles about Britney Spears is one rabbit hole I've managed to avoid falling down thus far, but one imagines there are reams of the things. From demonically driven Disney child star via pigtailed Lolita and sex-droid air...

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Two Door Cinema Club, Roundhouse

Bouncy: if there is one word that sums up this hot young Northern Irish band, that would be the one; there is a Tiggerish enthusiasm to their music that encourages bouncing, clapping, arm-waving and generally having a good time, which is exactly...

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CD: Jessie J - Who You Are

Essex siren Jessie J looking more interesting than most of her songs sound

On paper Jessie J is an amazing pop star. Great looking but not willing to play the eager-to-please dollybird, full of cheeky Essex girl vim and verve, clearly musically multitalented, thoroughly immersed in soul and funk, and with a healthy pair of...

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theartsdesk Q&A: DJ Annie Nightingale

Annie Nightingale: 'There’s nobody I know in my age group who remotely likes this kind of thing. I don’t understand why. I really don’t. I’m driven by it. It grabs me by the throat'

In 1970, Annie Nightingale became Radio 1’s first female DJ. The appointment was made somewhat grudgingly - DJs, believe it or not (and we’re talking about the likes of Ed “Stewpot” Stewart and Tony Blackburn here), were perceived to be “husband...

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