crime
Endeavour, Series 6, ITV review - reassuringly accomplished return of the brainy copperMonday, 11 February 2019
The end of series five of Endeavour found PC George Fancy shot dead, Cowley police station closed and the old crew dispersed. With Led Zeppelin on the soundtrack (it’s 1969), the sixth series opened minus WPC Trewlove, but with Fred Thursday demoted... Read more... |
Can You Ever Forgive Me? review - no page unturned in a comedy about literary forgerySaturday, 02 February 2019
What is it with all these new films based on biographies? Vice, Green Book, The Mule, Stan & Ollie, Colette… and that’s before we even get to the royal romps queening up our screens. At least Can You Ever Forgive Me? brings a lifestory... Read more... |
The Mule review - good ol' boy rides againSaturday, 26 January 2019
Baggage can weigh a movie down. The Mule comes with quite a bit of baggage, and not just the kilos of coke stashed in the car’s trunk. Clint Eastwood’s fifty plus years as a screen icon turned director, his dodgy love life and libertarian politics... Read more... |
Destroyer review - Kidman shines in middling crime dramaSaturday, 26 January 2019
Destroyer. It’s an apt name. Like the film, it's grandiose and blunt. Nicole Kidman is almost unrecognisable (a requirement when aiming for nominations) as Detective Erin Bell, a damaged survivor of an undercover heist gone wrong. When her target... Read more... |
Magnum P.I., Sky 1 review - slick and formulaic remake of Eighties originalThursday, 17 January 2019
Perhaps inspired by the success of the revived Hawaii Five-O, CBS and Universal have gone back to the Eighties, and back to Hawaii, to see if the venerable Magnum P.I. could benefit from a similar overhaul. Early evidence suggests that as formulaic... Read more... |
Luther, Series 5, BBC One review - welcome return for Idris Elba's maverick 'tecWednesday, 02 January 2019
“Can you breathe?’ “Yeah.” “Shame, that”. Another ne’er-do-well is being banged to rights after a chase through container stacks in the dark. Luther is back, and he hasn’t upgraded his Volvo or changed his tweed coat – but we don’t really mind, do... Read more... |
The ABC Murders, BBC One, review - John Malkovich's dark reboot of PoirotThursday, 27 December 2018
Sarah Phelps’s annual reboot of a canonical murder mystery by Agatha Christie has rapidly established itself as a Christmas staple of TV drama. And Then There Were None, The Witness for the Prosecution and Ordeal by Innocence (which was postponed to... Read more... |
The Old Man & the Gun review - sundown on SundanceFriday, 07 December 2018
Despite having enjoyed a prolific few years in which he has appeared in (among others) All Is Lost, Captain America: The Winter Soldier, Truth and Our Souls at Night, Robert Redford has said that The Old Man & the Gun will be his last film role... Read more... |
Ralegh: the Treason Trial, Sam Wanamaker Playhouse review - gripping verbatim court caseThursday, 29 November 2018
Forget the cloak in the puddle. Never mind potatoes and tobacco. The children's book cliché of Sir Walter Raleigh (or Ralegh as he seems to have preferred in an age of changeable spelling) represents little of the real man and is at best misleading... Read more... |
Shoplifters review - deserved Cannes prize winnerSaturday, 24 November 2018
When a film is about a crime family, audience expectations tend to involve mobsters and thrills, but that’s not the territory that Hirozaku Kora-eda is exploring here. He opens his tale with a camera tracking leisurely across a Tokyo supermarket. A... Read more... |
Siberia review - Keanu Reeves's duff Russian missionMonday, 19 November 2018
It is appropriate that Keanu Reeves sounds especially croaky and muffled throughout Siberia. Business meetings for his character Lucas Hill (a diamond trader) don’t normally involve much talk, just a swift briefcase handover and a confidential... Read more... |
Michael Connelly: Dark Sacred Night review - a pairing of loner detectivesSunday, 04 November 2018
The master of the Southern California police procedural is back. In Dark Sacred Night Michael Connelly puts centre stage his oldest creation, the Vietnam veteran turned original, ethical policeman who marches to his own moralities, Hieronymous – aka... Read more... |
