mon 14/07/2025

contemporary classical

20x12: Composers Go Olympic

Southbank Centre’s current season has included weekends devoted to three contemporary giants: Pierre Boulez, Conlon Nancarrow and George Benjamin. But it closes with a festival devoted to not to one contemporary composer but 20. The New Music...

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The Sinking of the Titanic, Gavin Bryars Ensemble, Philip Jeck, Barbican Hall

I don't have many feelings about the Titanic (any more than I do about any tragedies of the distant past). I know few of the facts, I can remember nothing of the film and I have been left almost completely untouched by the centenary. Yet I am...

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Miss Fortune, Royal Opera

I find it hard to square what I know about composer Judith Weir with what happened last night. In one corner lies her 30-year output of songs, choral pieces and operas - as engaging and beguiling an oeuvre as that of any living composer's. I think...

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theartsdesk in Doha: Vangelis at Katara Amphitheatre

If you need music for a ceremonial occasion, Greek composer Vangelis is your man. He has, after all, even had a small planet named after him, and in 2001, NASA used his piece Mythodea as the theme for its Mars Odyssey mission. The following year,...

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UnDance, Mark-Anthony Turnage/Wayne McGregor/Mark Wallinger, Sadler’s Wells

It is unusual in art for collaborators to be of equal star-wattage. The pairing of Benjamin Britten and WH Auden was one such. Another, much longer-lasting, was Stravinsky and Balanchine, a partnership of equals that endured for nearly half a...

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Mouse on Mars, Oval, Stockhausen, Barbican

Stockhausen’s Gesang der Jünglinge (Song of the Youths), composed in 1956, is, in many ways, the mother of all electronic music. I can remember discovering it in the 1960s, before I had acquired my first pair of Koss headphones, lying on the floor,...

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Manhattan Minimalism and Rock'n'Roll

This weekend’s three-day Minimalism festival at Kings Place comes to an end tonight looking at the cross-over between rock and new music in New York in the Seventies. It seems to me that the collision between popular and high-art music produced some...

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Beethoven Cycle, Concert 1: Leipzig Gewandhaus, Chailly, Barbican Hall

There are many ways of breathing new life into Beethoven. Carlos Kleiber used to do it through imagery. He once famously asked his Viennese double basses to play like monkeys during a rehearsal of Beethoven's Seventh. Riccardo Chailly's tactic for...

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Pierre Boulez Weekend, Southbank Centre

William Glock once claimed that Pierre Boulez could literally vomit at music he believed to be substandard. I wonder what he would have made of my friend, who fled at the interval of the opening concert of the Southbank festival on Friday blaming...

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BBC Proms: Mutter, Pittsburgh Symphony Orchestra, Honeck

Earlier this year, conductor Manfred Honeck revealed to me his love of old vinyl: the crackle, the fizz, the lost musical traditions. His performances are marinated in this obsession. The idiosyncrasies of his interpretations hark back to a time...

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BBC Proms: Clein, Britten Sinfonia, BBC Singers, Hill

Sofia Gubaidulina: a composer whose 'mistaken path' is as colourful as it is complex

Dominated by a focus on contemporary music, this year’s Proms’ Saturday Matinees have also developed something of a heavenward glance as the series has progressed. Last weekend it was the Christian mysticism of Hildegard of Bingen at the fore, with...

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BBC Proms: London Sinfonietta, BBC Singers, Atherton, Cadogan Hall

Sirs Harrison Birtwistle and Peter Maxwell Davies have now been at each others’ heels for almost 60 years. First, the composers were students together at the Royal Manchester College of Music. Then, once their careers began flourishing they kept...

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