contemporary classical
George Benjamin, CBSO Centre, BirminghamMonday, 08 April 2013
“A book,” says the Boy-Illuminator in George Benjamin’s latest opera Written on Skin, “needs long days of light.” He speaks for Benjamin himself, a composer who, for all his fabulous musical mind and ear, has never found composition easy and has... Read more... |
Los Angeles Philharmonic, Dudamel, Barbican HallMonday, 18 March 2013
Zipangu. What a name for a piece of music. Such a strange and suggestive collection of vowels and consonants. Such a musical string of sounds. A fascinating name. The name, in fact, the programme told me, for Japan during the time of Marco Polo. The... Read more... |
Imago, Glyndebourne OperaMonday, 11 March 2013
Imago, Glyndebourne’s latest Community Opera exercise, putting the cap on 25 years of pioneering educational outreach, is one of those operas where you need to read the programme synopsis first. Or maybe not. Its complications are outweighed by... Read more... |
Written on Skin, Royal OperaSaturday, 09 March 2013
It’s hard to put one’s finger on why George Benjamin’s new opera doesn’t work. It comes to Covent Garden with a wind in its sails. Its outings in Europe have all received high praise. It boasts a classy cast, Martin Crimp as librettist and Benjamin... Read more... |
Radio Rewrite, Royal Festival Hall: The Classical ReviewWednesday, 06 March 2013
Minimalism was born of popular music. The drones came from John Coltrane, the tape experiments from fiddling around with songs from the charts, the first rhythmic and melodic explorations from the folk music of Africa and Asia. And all the pioneers... Read more... |
Radio Rewrite, Royal Festival Hall: The Rock ReviewWednesday, 06 March 2013
Like a piece of conceptual art, it may be the idea rather than the actual music that is the most significant thing about the world premiere last night of Steve Reich’s Radio Rewrite. There will be a hundred times more people discussing the fact... Read more... |
Total Immersion: Sounds from Japan, BarbicanMonday, 04 February 2013
“Improvisation? That?” whispered a Japanese lady to her friend at the end of the afternoon concert. She was making a good point. Half the performers in this programmed jam were glued to their scores. It was the low point of a mixed day at the... Read more... |
The Minotaur, Royal OperaFriday, 18 January 2013
Flesh-tearing, woman-raping, body-goring brute he may be, but he's misunderstood, that Minotaur. It's a bold argument to make, but this is the contention of Harrison Birtwistle and David Harsent's 2008 opera. They are aided by a surprisingly... Read more... |
Music of Today - November: Sonica, HCMF, Oliver Knussen, the Arditti Quartet and Heiner GoebbelsSunday, 02 December 2012
Arditti String Quartet, Wigmore Hall, 31 October ****November is always a good month for new music. This year saw the interest begin a day earlier. Whichever wag chose to hand over Halloween at the Wigmore Hall to two of the most uncompromising... Read more... |
The Yellow Sofa, Linbury Studio TheatreTuesday, 06 November 2012
At the heart of Julian Philips’ chamber opera The Yellow Sofa stands, perhaps unsurprisingly, a beautiful antique yellow chaise longue that bears witness to all the adultery, money grabbing and revenge that a 1880s Lisbon household has to offer; but... Read more... |
Viscera/Infra/Fool's Paradise, Royal BalletSunday, 04 November 2012
A new Liam Scarlett ballet has become an event, even as, in this case, Scarlett’s home company, the Royal Ballet, is recreating a work he choreographed last January for Miami City Ballet – the young choreographer’s first international commission.In... Read more... |
Albert Herring, English Touring OperaFriday, 05 October 2012
Albert Herring probably doesn’t make the top five most performed of Britten’s operas, yet is easily the best known work in English Touring Opera’s brave Autumn season – the other two are Viktor Ullmann’s The Emperor of Atlantis and Peter Maxwell... Read more... |
