contemporary classical
theartsdesk in Tallinn: Estonian Music DaysThursday, 21 April 2016
A young nation with a small population and the most untarnished democratic credentials in Europe today can do certain things with festivals not so easy to imagine here. When Estonian Music Days, focused on native and contemporary music, took nature... Read more... |
The Importance of Being Earnest, Royal Opera, BarbicanWednesday, 30 March 2016
Some new operas worth their salt work a slow, sophisticated charm, but the handful that holler "masterpiece" grab you from the start and don't let go. Gerald Barry's shorn, explosive Wilde – more comedy of madness than manners – was so obviously in... Read more... |
The Devil Inside, Peacock TheatreFriday, 05 February 2016
"I wish I had money," exclaims the weak-willed hero of Stravinsky's The Rake's Progress and, hey presto, the devil appears to strike a deal. Auden and Kallman didn't have the last word on Faustian-pact librettos. Now writer Louise Welsh and composer... Read more... |
BCMG, Knussen, CBSO Centre BirminghamMonday, 16 November 2015
“The first section, following a short introduction, places a rhythmic sequence on its retrograde. The two layers are transposed independently (one going up, the other down) as the music progresses, and points of symmetry are highlighted when they... Read more... |
10 Questions for Composer Max RichterSaturday, 26 September 2015
Composer, pianist, producer… Max Richter (b. 1966) is nothing if not prolific, not to mention unique. His traditional training, which included Edinburgh University, the Royal Academy as well as Florence, under composer Luciano Berio sits... Read more... |
Prom 24: BBCSSO, RunniclesTuesday, 04 August 2015
You never quite know whether a new work by James MacMillan is going to veer towards the masterly or the overblown. His magnificent chain of concertos has arguably yielded masterpieces, but the Third Symphony at the Proms in 2003 sounded like an... Read more... |
Max Cooper and Tom Hodge, Abbey Road StudiosFriday, 10 July 2015
I’m in a car and I’m uncomfortably hot. The reason I’m in a car is I’m on my way to a gig on the first day in 14 years that industrial action has brought London Underground to a standstill. No skeleton service, no contingency, just closed doors and... Read more... |
MacMillan's St Luke Passion, King's College ChapelSaturday, 04 April 2015
The St Luke Passion I heard last night was my second sung Passion of the day. The first was in a parish church as a central part of the liturgy of the day on Good Friday: nothing too fancy, as befits an amateur choir, the words of St John as set by... Read more... |
JACK Quartet, Wigmore HallTuesday, 20 January 2015
The mixed grilled school of programme-making is not for the JACK Quartet. Contemporary, contemporary, and contemporary: that was the bill of fare last night at this challenging recital offered by the young American group, graduates of the Eastman... Read more... |
Miloš Karadaglić, 'the guitar player of the people'Tuesday, 25 November 2014
Compared to grand divas, virtuoso pianists or stupendous fiddlers, legends of the classical guitar have been few in number. Once you've ticked off Segovia, Julian Bream and John Williams you're pretty much done with the household names. This isn't... Read more... |
theartsdesk in Setúbal: Youth and music under the jacarandasWednesday, 02 July 2014
José Mourinho is Setúbal’s most famous son. Non-Portuguese readers are not expected to know the two other celebrities most feted by this extraordinary port city on the estuary of the River Sado, with miles of sandy beaches opposite where a school of... Read more... |
theartsdesk in Reykjavík: Bright Nights, Dark Music DaysSunday, 23 February 2014
Nature declined to reveal the Northern Lights over a long winter weekend in Iceland. My hotel was geared up to the spectacle, offering the option of a phone call any time in the night should they appear; but no call came. I only hope the tourists... Read more... |
