contemporary ballet
Sehnsucht/Schmetterling, Nederlands Dans Theater 1, Sadler's WellsTuesday, 01 July 2014
No one could accuse Nederlands Danse Theater choreographers Sol Leon and Paul Lightfoot for thinking inside of the box. And yet that's exactly where they've placed their dancers in the opening piece, Sehnsucht, of this impressive Sadler's Wells... Read more... |
Swan Lake, Dada Masilo, Sadler's WellsThursday, 19 June 2014
There are all sorts of companies and shows out there that claim to “rock” the ballet, or otherwise shake up, take down or reinvent an art form that, they imply, is (breathe it softly, the dirty word) elitist, or at least irrelevant. Few, I’d imagine... Read more... |
The Dream/Connectome/The Concert, Royal BalletSaturday, 07 June 2014
The Dream has at its heart a great partnership. Not just the original, magical pairing of Anthony Dowell and Antoinette Sibley, for whom Frederick Ashton created the ballet fifty years ago (thereby launching one of the top couples in ballet history... Read more... |
Dutch National Ballet Junior Company, Linbury Studio TheatreThursday, 29 May 2014
It's always a bit of a thrill descending to the Linbury Studio Theatre in the Royal Opera House. A black box deep buried in the ground, it feels far away from all the glamour and glitter, but also the prices and pressure, of the main stage, plus the... Read more... |
Choreographics, English National Ballet, Barbican PitFriday, 23 May 2014
“We want to be the most creative and the most loved ballet company in this country,” Tamara Rojo told the audience in the Barbican Pit last night. “We want you to love us.” The director of English National Ballet knows a thing or two about gaining... Read more... |
Serenade/Sweet Violets/DGV, Royal BalletThursday, 15 May 2014
Some artists acquire (or create) cults of personality because – Byron, Wagner or Van Gogh – they are just so obviously fruity. Some others, though less fruity, are venerated because their work is so tear-prickingly astonishing that we are desperate... Read more... |
Romeo and Juliet, Scottish BalletThursday, 15 May 2014
Watching The Royal Ballet’s The Winter’s Tale a few weeks ago, I was struck by the quasi-absurdity of adapting the Bard for dance - a thought numerous choreographers must have encountered while toying with the idea. The complexity of Shakespeare’s... Read more... |
6000 Miles Away, Sylvie Guillem, Birmingham HippodromeThursday, 08 May 2014
When Sylvie Guillem became, at 19, the youngest person ever to reach the top rank of the Paris Opéra, she gained a job title – étoile (star) – that uncannily captured her essence. Most companies call their top dancers principal or prima ballerina or... Read more... |
Concert Dansé, Symphony Hall, BirminghamMonday, 05 May 2014
On the back wall of Birmingham Symphony Hall’s great oval space, two musicians are poised on a glass balcony that gives the illusion of not being there at all. A small square of warm light picks them out, vivid against the hall’s darkness. So framed... Read more... |
Quatrain/Kin./Les Rendezvous, Birmingham Royal Ballet, Crescent TheatreSunday, 27 April 2014
It is proof, as if more were needed, of how very right-on Birmingham Royal Ballet’s director David Bintley is, that he chose to open the International Dance Festival currently taking place in that city with two specially commissioned ballets... Read more... |
Rodin, Eifman Ballet, London ColiseumWednesday, 16 April 2014
Before Boris Eifman’s second visit to London this week, ballet lovers who missed the divisive Russian dancemaker last time round will have been weighing up the merits of a punt on a ticket. If they were basing their calculations on reviews, I... Read more... |
Sadler’s Wells, Ambitious New PlansTuesday, 05 November 2013Alastair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, today announced that the theatre is looking for a fourth London venue, which it hopes will open in just four years’ time.Not content with two proscenium spaces (the main stage... Read more... |
