sun 24/08/2025

Brighton

CD: The Fiction Aisle - Fuchsia Days

Bands have grown slack about releasing albums. The Beatles used to pump them out, releasing both Help and Rubber Soul in the first half of 1965, whereas, say, Bastille’s second album arrives three years after their debut (although they released a “...

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theartsdesk at Love Supreme Festival 2016: Kamasi Washington, Esperanza Spalding and Stanley Clarke

“Can you take a picture of us looking really middle-aged?”Two woman in their forties are enjoying the sunshine on the opening afternoon of Love Supreme, sipping prosecco from the comfort of their fold-up camping chairs as a charismatic, vapour-...

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Brighton Festival: Brighton – Symphony of a City, Brighton Dome

Brighton’s barely a city. It was awarded the title in 2004 without having to build a cathedral, or become bigger than a greatly swollen version of Brighthelmstone, the fishing village it once was, hemmed in from further growth by the South Downs and...

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Win a Luxury Weekend for Two at the 50th Brighton Festival!

Brighton Festival is a fantastic, exhilarating, leading annual celebration of the arts, with events taking place in venues both familiar and unusual across Brighton & Hove for three weeks every May. This year, the Festival celebrates 50 years of...

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DVD: Pink String and Sealing Wax

Although the Ealing Studios’ melodrama Pink String and Sealing Wax was set in the 1880s and based on a play first performed in 1943, the film hit cinemas in late 1945 when World War II was barely over. The war saw a fundamental shift in the role of...

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CD: The Fiction Aisle - Heart Map Rubric

This album is a gorgeous New Year surprise. Much of it is a delicious investigation of old-fashioned pre-rock songwriting, but done from the heart rather than for kitsch kicks. Sometimes this means it wanders into easy listening which, after all,...

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Absolutely Me, Caro Emerald, Brighton Centre

Caro Emerald first appears, spotlit, in one of the aisles of the Brighton Centre’s eastern balcony. Clad in a pleated knee-length black skirt and an eye-jarring yellow and red shirt that brings to mind Russian expressionist art, she kicks things off...

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Carleen Anderson: A Tribute to Sarah Vaughan, Theatre Royal, Brighton

Carleen Anderson’s range of vocal scales and styles is matchless in contemporary pop. Where she aims those enviable resources is the only issue anyone could have with her, a matter of taste she’ll eventually make irrelevant tonight with a flood of...

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Benjamin Clementine, Theatre Royal, Brighton

Benjamin Clementine’s idea of repartee with the audience is producing a clementine orange and smiling shyly. Clad in his trademark greatcoat-over-naked chest, with bare feet and outrageous pompadour hair, he sits at a spotlit grand piano and...

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Cat's Eyes live score for The Duke of Burgundy, Brighton Dome

There’s an extraordinary moment, in Peter Strickland’s deeply sensual, desperately funny and feverishly powerful S&M love story, when a camera travels slowly into the darkness between a woman’s thighs. It’s an extraordinary moment in the...

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The Joey Arias Experience, Theatre Royal, Brighton

Brighton whooped as if she had never seen risqué entertainment last night, as cabaret veteran Joey Arias brought his Billie Holiday-meets-bawdy-standup show to the Brighton Festival. Able to switch between sincere tribute and brilliantly,...

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Rachel Kneebone, Brighton Festival

In an oft quoted moment of self-deprecation, WH Auden once described his own face as looking like “a wedding cake left out in the rain”. But the poet might have thought twice if confronted with the Porcelain confections of Rachel Kneebone. The...

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