Brighton
Hofesh Shechter Company: Grand Finale, Brighton Festival review - politics, percussion and powerful choreographyTuesday, 08 May 2018
There is a sense of loyalty from the Brighton audience awaiting Hofesh Shechter’s new work. They have seen his company here in 2009, for the Brighton Festival commission of The Art of Not Looking Back, and the infamous Political Mother premiered... Read more... |
IOU Rear View, Brighton Festival review - imaginative odyssey around townSunday, 06 May 2018
Yorkshire theatre company IOU have a tool in their armoury that most of their peers do not. It’s an open-topped bus with tiered seating, as pictured above, built in Halifax and the only one of its type, replete with headphone sets for every seat. It... Read more... |
NoFit State Circus present Lexicon, Brighton Festival review - a wild eye-boggling jamboreeSaturday, 05 May 2018
When an acquaintance heard my first review of the Brighton Festival was a circus event they snorted, “Oh dear.” It’s strange; for a couple of decades there’s been a default setting among broad swathes of otherwise artistically-inclined Boho sorts:... Read more... |
Picks of Brighton Festival 2018 by writer-director Neil BartlettThursday, 03 May 2018
Director, playwright and novelist Neil Bartlett has been making theatre and causing trouble since the 1980s. He made his name with a series of controversial stark naked performances staged in clubs and warehouses, then went on to... Read more... |
Brighton Festival 2018 PreviewWednesday, 02 May 2018
This weekend sees the Brighton Festival 2018 kick off. Anyone visiting the city on Saturday 5 May would find this hard to miss as the famous Children’s Parade makes its way around the streets, a joyous dash of colour and creativity. This year’s... Read more... |
10 Questions for Artist David ShrigleyTuesday, 01 May 2018
David Shrigley (b. 1968) is an artist whose work has become broadly popular via a wide range of formats. At first glance, his stark pen-on-paper drawings seem akin to humorous newspaper cartoons – and, indeed, he’s contributed to The Guardian for... Read more... |
10 Questions for Performer Seth KriebelThursday, 05 April 2018
Seth Kriebel, 45, is a performer, much of whose work involves audience participation. He is bringing the show A House Repeated to the Brighton Festival 2018 between 6th and 11th May. Of American origin, born and raised near Philadelphia, Kriebel... Read more... |
CD: The Fiction Aisle - Jupiter, FloridaFriday, 19 January 2018
The third album from Thomas White under his Fiction Aisle moniker is a match for its delicious, under-heard predecessors. White remains best known for his output with The Electric Soft Parade and Brakes but the prolific Fiction Aisle (three albums... Read more... |
Orpheus Caledonius, Brighton Early Music Festival review - a thrilling meeting of musical clansSaturday, 28 October 2017
In 1725 a collection of some 50 songs was published by one William Thomson. You might not know his name, or even the names of the songs, but given the first bar of most I’m betting you could hum them from beginning to end. The work? Orpheus... Read more... |
12 Stone Toddler, Green Door Store, Brighton review – experimentalism can still be popMonday, 24 July 2017
Ten years ago Brighton band 12 Stone Toddler burst onto the scene with two off-the-wall albums of madly inventive pop-rock. They then vamoosed back out of existence. Now they’re back, preparing a third album for the Freshly Squeezed label, and... Read more... |
Meow Meow's Souvenir, Brighton Festival review – subversive but evocative new song-cycleMonday, 22 May 2017
Dream palace, cesspit and church; celebrated, mopped (by Marlene Dietrich, no less) and fucked: Brighton’s Theatre Royal has seen a whole lot of history, of both the splendid and the seedy variety. Now it has found a magnificent if unlikely... Read more... |
Jeremy Hardy, Brighton Festival review - expert raconteur shows political biteThursday, 18 May 2017
Jeremy Hardy is very happy to mock his audience and they love it. One of the biggest laughs of the night is when a punchline refers to us as a collection of “middle class white people”. Being Brighton, he goes further, explaining how tolerant the... Read more... |
