tue 08/07/2025

Brahms

Elisabeth Leonskaja, Wigmore Hall

Restlessness in a good sense was the keynote of Elisabeth Leonskaja's latest revelatory recital. At 71, the Russian pianist, now an Austrian citizen, has all the supreme mastery it takes to make the volatility work: perfect weight and balance,...

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Aimard, Stefanovich, St John's Smith Square

Visions de l’Amen was a shoo-in for Belief and Beyond Belief, the year-long festival of art inspired by religious faith. The festival’s goals seem dangerously nebulous – almost anything could fit its remit – but it is hard to imagine a...

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Alan Bennett’s Diaries, BBC Two

Gather round the fire, friends: no Santa down the chimney this Christmas Eve, but the curiously comforting Alan Bennett, with his sardonic and occasionally optimistic diaries. The latest published instalment has the slightly wry title Keeping On...

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The Schumann Project, Oxford Lieder Festival

It felt oddly disrespectful showing up in time for Schumann's wake on the fifteenth and final day of this year's Oxford Lieder Festival. Having started with the early piano music and many of the chamber works before moving on to Schumann's annus...

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Sunday Book: Haruki Murakami - Absolutely on Music

Every fan of his fiction knows that Haruki Murakami loves jazz and lets the music play throughout his books. Yet in this 320-page dialogue between the novelist and his equally eminent compatriot, conductor Seiji Ozawa, it’s the veteran maestro of...

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Classical CDs Weekly: Brahms, Steve Reich, Aleksandra Vrebalov

Brahms: Double Concerto, Piano Trio No. 1 (1854 version) Joshua Bell (violin and director), Steven Isserlis (cello), Jeremy Denk (piano), Academy of St Martin in the Fields (Sony)Brahms’s Double Concerto can be unfairly maligned as a dull, downbeat...

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Jeremy Denk, Wigmore Hall

Medieval to Modern – Jeremy Denk’s Wigmore Hall recital took us on a whistle-stop tour of Western music, beginning with Machaut in the mid-14th century and ending with Ligeti at the end of the 20th. The programme was made up of 25 short works, each...

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Lichfield Festival 2016

You know, of course, why you should always choose the left leg of a roast partridge? Because that’s the leg the bird stands on when resting: it’s plumper, tastier and altogether more succulent. These things matter, and in Jean Francaix’s...

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Matthias Goerne, Daniil Trifonov, Wigmore Hall

If you needed further proof of the intelligence, the thoughtfulness of Daniil Trifonov’s musicianship, the programme for his four-concert residency at the Wigmore Hall would go a long way towards providing it. How many young soloists of Trifonov’s...

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Classical CDs Weekly: Kenneth Hesketh, Vaughan Williams, Ensemble Pygmalion

Kenneth Hesketh: horae (pro clara) Clare Hammond (piano) (BIS)Pianist Clare Hammond writes of Liverpudlian composer Kenneth Hesketh’s ‘fierce intelligence’ in her sleeve notes. He’s not yet a household name, but he deserves to be: the music on this...

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Brahms: A German Requiem, ENO Chorus, Wigglesworth, St George's Hanover Square

There aren’t many opera choruses I’d want to hear singing Brahms’ Requiem, and still fewer I’d rush to hear. But the Olivier Award-winning ENO chorus is a different beast altogether – as responsive and flexible of tone as it is skilled with an all-...

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Classical CDs Weekly: Bartók, Birkin, Berlin Piano Quartet

Bartók & Folk:Complete works for male choir, interspersed with folk music Saint Ephraim Male Choir/Tamás Bubnó, Balázs Szokolay Dongó (flute, bagpipe, tárogató), Márk Bubnó (gardon) (BMC)These pieces were included on an irresistible collection...

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