tue 08/07/2025

Brahms

First Night of the 2011 Proms

Here we are again. Marvel as you enter at the aptly gaudy lighting of Albert's colosseum, but know that unless your place is with the Prommers towards the front of the arena, the musicians will often sound as if they're in another galaxy - maybe one...

Read more...

Alexander Melnikov, Wigmore Hall

How important is it to hear “the composer’s intentions” at a concert? Maybe only the interpreter’s intentions are possible. The young Russian pianist Alexander Melnikov challenges the golden rule of faithfulness to source with the resources of today...

Read more...

Murray Perahia, Barbican Hall

Last night Murray Perahia played Bach, Beethoven, Brahms, Schumann and Chopin, and we heard, quite simply, Bach, Beethoven, Brahms, Schumann and Chopin. Nothing more need be said, if one follows the Cordelia principle to love, and be silent.Still,...

Read more...

Interview: Violinist Daniel Hope

Daniel Hope sets off to explore the legacy of Joseph Joachim

In the later 19th century, violinist and composer Joseph Joachim was hailed as the most brilliant fiddler of his day, but today his name lives on via the great works that he helped to bring into the classical repertoire. Brahms dedicated his...

Read more...

Classical CDs Round-Up 16

Geneviève Laurenceau plays Prokofiev's Violin Concerto No 2 in our CD of the Month

This month’s selection includes historical recordings by a neglected violinist and interesting interpretations of Brahms and Mahler. A notorious choral blockbuster works its insidious magic, and Australia’s best-known classical musician takes on...

Read more...

Berlin Philharmonic Orchestra, Rattle, Royal Festival Hall

So the Berlin Phiharmonic’s high-profile five-day residency staked its ultimate curtain-calls on one of the most spiritual adagio-finales in the symphonic repertoire (most of the others, like this one to the Third Symphony, are by Mahler). We knew...

Read more...

Stephen Kovacevich 70th Birthday Concert, Wigmore Hall

Heartfelt birthday salutations to the great pianist first known as plain Stephen Bishop. For a recital in the early 1980s, when he first added the paternal Croatian "Kovacevich", introducing me to late Brahms piano music - Op 117, never more...

Read more...

Llŷr Williams, Wigmore Hall

Do paws get any mightier than Llŷr Williams's? When not crashing down onto the Wigmore Hall Steinway like a ton of singing bricks, they were digging deep, like strong, nifty moles, foraging for the contrapuntal melodies that lay beneath...

Read more...

Sarah Willis, First Lady of the French Horn

No woman has ever achieved a higher profile on the French horn than Sarah Willis. Why? It's not as if she is a renowned soloist. But she is the first and only woman to join the brass section of the world's most celebrated and widely followed...

Read more...

Pollini, London Symphony Orchestra, Eötvös, Barbican Hall

Helmut Lachenmann is a sort of George Bush of contemporary classical composition, a bogeyman, a warrior, an ideologue. In my time his name has always been served up with an exclamation mark - "you like Lachenmann!?" - partly because his...

Read more...

The Berlin Philharmonic European Concert 2010, Sheldonian Theatre, Oxford

Berlin comes to Oxford: May Day at the Sheldonian with Barenboim and the Berliners

"Madness! Madness! Everywhere madness!" The unsung words of cobbler-philosopher Hans Sachs in the third-act prelude to Wagner's Die Meistersinger might seem like an odd opening manifesto for the Berlin Philharmonic Orchestra's annual May Day...

Read more...

Martin Fröst, Roland Pöntinen, Wigmore Hall

It’s tempting to say that if Martin Fröst didn’t play the clarinet then he’d be an actor or a dancer. But he is an actor and a dancer and at one point during this scintillating recital he even sang, too – whilst playing the clarinet at the same time...

Read more...
Subscribe to Brahms