fri 13/06/2025

Birmingham

DVD: Prostitute

Take a girl like me: Prostitute Sandra (Eleanor Forsythe) ponders conformity at a middle-class wedding

The most socially committed BBC drama producer of the Sixties and Seventies, best known for his exemplary partnership with Ken Loach, Tony Garnett has twice opted to direct. If Handgun (1984), his critique of American gun control, is largely...

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CD: Guillemots - Walk the River

Guillemots: An emotional journey

These days it’s all meant to be about tracks, not albums; modern music listeners, it’s said, have pitifully short attention spans and skip flightily from one song to the next, like bees with ADHD in a blossoming orchard, without pausing to put...

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Birmingham Royal Ballet, 2011-12 Season

Family-favourite storyballets dominate Birmingham Royal Ballet's 2011-12 season, as the company looks forward to a stringent year. Beauty and Beast, Hobson's Choice and Far From the Madding Crowd, three of director David Bintley's full-lengthers,...

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Birmingham Royal Ballet, 2010-11 Season

Family favourites and fewer dates on the spring split tours mark straitened circumstances for Britain's busiest touring company, Birmingham Royal Ballet, keeping a smiling, child-friendly face on. Coppelia, La Fille mal gardée and the London...

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RIP Trish Keenan of Broadcast

I'm absolutely horrified to hear of the death this morning from pneumonia, following a swine-flu infection, of Trish Keenan of the band Broadcast. I had only ever spoken to her on the telephone, but many friends knew her well and she was one of...

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Birmingham Contemporary Music Group, CBSO Centre, Birmingham

Tansy Davies: Like an over-stimulated teenager who has learnt how far one can go too far

The Birmingham Contemporary Music Group does star concerts, which fill (or nearly) the CBSO Centre; and they do old-fashioned New Music concerts, which don’t quite empty it, but leave one wondering who exactly – if anyone - some of the works being...

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Birmingham Royal Ballet, Pointes of View, Birmingham Hippodrome

Elisha Willis in Tharp's 'In the Upper Room': 'This is a thrilling, mesmerising dance'

It can take almost as much courage for a ballet company to look backwards as forwards, and it’s one of the quirks of Birmingham Royal Ballet that you’ll find rare heritage ballets popping up in the mix. John Cranko’s The Lady and the Fool, a Fifties...

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Edward Gardner: another live wire for Birmingham

As the glorious parade of British orchestras at the Proms has showcased, it's never been a better time for the native music scene across the board. Now the City of Birmingham Symphony Orchestra, currently enjoying a honeymoon period with its Music...

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Two ballerinas retire - how grateful are we?

Two leading ballerinas retired this week on either side of the Atlantic, Darci Kistler of New York City Ballet and Miyako Yoshida of the Royal Ballet. Both are in their mid-forties (not old for a ballerina) and each is an exemplar of certain best...

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On Their Toes!, Birmingham Royal Ballet, Birmingham Hippodrome

Dusty Button and César Morales in 'Grosse Fuge': the choreographer Hans van Manen does basic instincts in ballet better than anyone alive

Hans van Manen does basic instincts in ballet better than anyone alive. The Dutch choreographer, nearly 78 and far too little exposed in Britain, is a near-contemporary of Kenneth MacMillan, another specialist in sexual relations, but where...

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The Sleeping Beauty, Birmingham Royal Ballet, London Coliseum

Good dancing - never mind great dancing - calls for an investment of imagination in every point of the foot, every raise of the arm. Why otherwise do the constant drill of turning out the leg, stretching the instep, taking fifth position, if the...

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Magia de la Danza, Ballet Nacional de Cuba, London Coliseum

“It’ll be tricky to write about,” said the man next to me last night, a Cubaphile. “It's the good, the bad and the awful.” The Cubans’ second programme, The Magic of Dance, is an old-fashioned warhorse of showstoppers from the classics, a tapas bar...

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