tue 08/07/2025

Baroque

The Rite of Spring, Peckham Car Park/ Yellow Lounge, London Bridge Arches

Forget almost everything you thought you knew about classical music. Forget the regulations and the rigmarole, the politeness and the prissiness. Forget the preening institutions. Forget the vocal doom-sayers. Classical music is in the throes of an...

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La Verità in Cimento, Garsington Opera

Duncan Hayler's icy kingdom offers an alternative to turbans and Turkish carpets

With so many of the premieres and rediscoveries of the summer opera season coming from the bel canto repertoire, it’s lovely to see Garsington Opera striking out in a different direction. Following on from last year’s L'Incoronazione di Dario (and...

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The Infernal Comedy, Barbican Hall

The Barbican committed a grave sin last night. It forgot that people matter more than art. That their responsibility to the families of those who Jack Unterweger (the subject of John Malkovich's music drama, The Infernal Comedy)...

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King Arthur, Spitalfields Music

I Fagiolini: Baroque's vocal big-hitters

It’s not often that a performance of Purcell’s King Arthur requires its entire cast of singers to strip down to very tight Union Jack boxer shorts. It’s not often either that the audience find themselves actively encouraged to talk over the music,...

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theartsdesk in Fes: The Festival and the Moroccan Spring

Strange portents – the weather is always dry and baking hot this time of year in Fes. This time it was like winter, with lashing rain and thunder for the first few days of the Fes Festival. But then things are strange in general here; events are...

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theartsdesk in Göttingen: Handel With an Umlaut

Georg Friedrich Händel of Halle probably never came here. Other great men certainly did: long after the official foundation of Göttingen's Georg August University in 1734 - the year in which the composer wrote a masterpiece, Ariodante, in another...

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theartsdesk Q&A: Trumpeter Alison Balsom

A tall and exceptionally striking Valkyrie of a blonde, Alison Balsom (b 1978) is the polar antithesis of a hard-drinking, slightly tubby, very male trumpeter from central casting. For the photoshoots which fetch up on her CD sleeves, and public...

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Ariodante, Barbican Hall

Handel spread dazzle and desolation evenly enough through the lead roles of Ariodante. A suitably stellar line-up for last night's concert performance at the Barbican was, therefore, awaiting us. Yet, as so often with Handel, the packed ship...

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James Bowman, Mahan Esfahani, Wigmore Hall

The end of an era: James Bowman bids a gentle farewell to the London concert stage

The Wigmore Hall was full to capacity last night, its crowd gathered to pay homage to a great musician at the end of his career, and to discover the talents of a great musician at the very beginning of his. While Alfred Deller might have been the...

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Classical CDs Weekly: Debussy, Grainger, Lully

Christophe Rousset: His studio recording of 'Bellérophon' 'succeeds on every level'

This week we review Bellérophon, a rare Baroque opera from Lully which was exhumed by Christophe Rousset and performed for the first time last year, Debussy recorded live from the Barbican, and we answer the key question: how much is too much Percy...

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theartsdesk in Cuenca: Religious Music Week

Houses perched precariously in the medieval town of Cuenca

It’s Holy Wednesday in Cuenca, and going round the corner into Cathedral Square I’m surrounded by hordes of guys in multicoloured mufti who look like the Ku Klux Klan, with unnecessarily pointy hoods. Twenty of them are carrying a heavy float with a...

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The Coronation of Poppea, King's Head Theatre

Young sopranos Jessica Walker (Nero) and Zoe Bonner (Poppea) in one of their many sexy turns

When OperaUpClose's bar-side production of La bohème beat the ENO and Royal Opera House to the Olivier Awards' Best New Production gong earlier this year, it was hard - even in these award-sceptical parts - not to delight in the David versus Goliath...

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