Barbican
Giulio Cesare, The English Concert, Bicket, Barbican review - 10s across the board in perfect HandelMonday, 12 May 2025
Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David McVicar production last year made it seem so, not least thanks to the presence of two of last night’s soloists,... Read more... |
The Excursions of Mr Brouček, LSO, Rattle, Barbican review - sensuousness, fire and comedy in perfect balanceWednesday, 07 May 2025
Who doesn’t love the quirky, passionate and humanitarian genius of Leoš Janáček? All of it, these days. Since Charles Mackerras introduced the UK to a then-unknown, even the less familiar operas have had plenty of exposure. Simon Rattle was among... Read more... |
Krapp's Last Tape, Barbican review - playing with the lighter side of Beckett's gloomSaturday, 03 May 2025
In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly opens at the back of the space and the figure that has entered and sat down at the table also begins to emerge.... Read more... |
Bach St John Passion, Academy of Ancient Music, Cummings, Barbican review - conscience against conformismMonday, 21 April 2025
In a programme note for the St John Passion at the Barbican, the Academy of Ancient Music’s chief executive called their Easter performances of Bach’s compressed gospel tragedy a “ritual”. You understand why that word claims its place. However,... Read more... |
LSO, Noseda, Barbican review - Half Six shake-upThursday, 10 April 2025
Tired after a hard day at the office? You might think you need a Classic FM-style warm bath, but the blast of Prokofiev’s Second Symphony, one of the noisiest in the repertoire, is the real ticket to recharging the batteries. Gianandrea Noseda, on... Read more... |
Lizz Wright, Barbican review - sweet inspirationThursday, 20 March 2025
Lizz Wright’s exquisite singing breaks all boundaries between soul, gospel and jazz. In so doing she channels many interwoven strands of the African-American experience. Wright thrives on singing to an audience: her recorded output is wonderful... Read more... |
Jazz at Lincoln Center Orchestra, Marsalis, LSO, Pappano, Barbican review - sounds above substanceMonday, 17 March 2025
Few symphonies lasting over an hour hold the attention (Mahler’s can; even Messiaen’s Turangalîla feels two movements too long). Wynton Marsalis is a great man, but his Fourth, “The Jungle”, is no masterpiece, not even a symphony – a dance suite,... Read more... |
Bavouzet, BBCSO, Stasevska, Barbican review - ardent souls in mythic magicThursday, 13 March 2025
Not to be overshadowed by the adrenalin charges of the Budapest Festival Orchestra the previous evening, the BBC Symphony Orchestra and its Principal Guest Conductor Dalia Stasevska gave a supercharged triple whammy of masterpieces. They even had a... Read more... |
Sheku Kanneh-Mason, Czech Philharmonic, Bychkov, Barbican review - from Russia, with tough loveSaturday, 08 March 2025
Exactly half a century ago, Semyon Bychkov fled the USSR for the United States as he sought to swap tyranny for liberty. Last night, in a world that feels utterly different yet even more terrifying, the great conductor turned the stellar talents of... Read more... |
Mansfield Park, Guildhall School review - fun when frothy, chugging in romantic entanglementsTuesday, 04 March 2025
Let’s call it Jane Austen fit for the West End, but with opera singers. The fact that it also serves as a fun ensemble piece for students is also very much in favour of Jonathan Dove’s Mansfield Park, with a neatly telescoped and often witty... Read more... |
Argerich, Oxford Philharmonic Orchestra, Papadopoulos, Barbican review - the great pianist as life and soulTuesday, 25 February 2025
At the age of 83, Martha Argerich contains more personality in her little finger than many people do in their entire bodies.Her vigorous, technically dazzling delivery of Beethoven’s Second Piano Concerto began before she even touched the piano. As... Read more... |
Noah Davis, Barbican review - the ordinary made strangely compellingThursday, 20 February 2025
In 2013 the American artist, Noah Davis used a legacy left him by his father to create a museum of contemporary art in Arlington Heights, an area of Los Angeles populated largely by Blacks and Latinos. But his Underground Museum faced a problem; it... Read more... |
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