mon 21/07/2025

ballet

Birmingham Royal Ballet, Cyrano, Sadler's Wells

Lush, romantic storyballets are as scarce as hens' teeth these days, despite the longing of much of the ballet audience to see them. Not because they're too elementary for today's dancemakers, I'd guess, but because to make one with lively dancing...

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Psychoanalysing Ballet

As a new biography of the Royal Ballet's great choreographer Sir Kenneth MacMillan by Jann Parry reveals, MacMillan's ballets are often about characters in shadowy explorations of inner states of mind. In part, his willingness to portray loneliness...

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Morphoses prog B, Sadler's Wells

In the Ballets Russes centenary year it’s worth remembering that the iconic Diaghilev ballets were only the few lasting landmarks in a sea of constant novelties and shipwrecks. So if Christopher Wheeldon doesn’t take many great reviews back to the...

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Morphoses, Sadler's Wells

Wheeldon's Commedia: short on ambiguous sexuality and satire of commedia dell'arte

Britain’s favourite ballet choreographer Chris Wheeldon rode into his homeland last night, bringing with his Anglo-American company Morphoses work by himself and by Britain’s second favourite ballet choreographer Alexei Ratmansky. Two favourites...

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Mayerling, Royal Ballet

Last night was Sun night at the Royal Opera House, when the opening night of the ballet season was supposedly entirely attended by winners of The Sun’s ballet-ballot. Sadly the production, Mayerling, came into the ballot too late to get the full Sun...

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Scottish Ballet, Rubies/ Workwithinwork/ In Light and Shadow, Sadler's Wells

Rubies is a ballet for a girl comfortable with her curves, who can slink her hips and tip her bottom and relish seeing the men’s eyes widen. That the said girl is a ballerina, for whom curves are usually anathema, shows the personality challenge...

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Production Gallery: The Royal Ballet's Mayerling

Charlotte MacMillan photographed the Royal Ballet's Mayerling, with choreography by Kenneth MacMillan, music by Franz Liszt, and designs by Nicholas Georgiadis, which opens at the Royal Opera House on Wednesday. The cast is headed by Edward Watson...

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Ballet Meets Science

Two ballets are premiered this month with big scientific subjects and new commissioned scores. Birmingham Royal Ballet's David Bintley was inspired by Einstein's principle of relativity, with a Matthew Hindson score, while Mark Baldwin at Rambert...

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theartsdesk Q&A: Tamara Rojo's Diary

The Royal Ballet's leading ballerina Tamara Rojo was holding a large and not old but already battered diary when we met, pages and dried flowers falling out of it, along with notes and photographs. It’s barely a book, more a pile of loose...

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Sylvie Guillem, Ballerina in Evolution

The phenomenal French ballerina Sylvie Guillem (b. 1965) has always been a modern woman, for all her classical ballerina dress. She joined the Royal Ballet in 1989 from Nureyev's Paris Opera Ballet, on terms of strictest independence, hardly saying...

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No Intermissions: The Life of Agnes de Mille

In dance heaven, poor Agnes de Mille is resigned to being jostled by nobler colleagues. "Sprightly but peripheral" was her own assessment of her work, yet, with her 1942 ballet Rodeo and her musicals Oklahoma!, Carousel, Brigadoon and more, she...

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Alina Somova: dancer or circus pony?

It is a curious feeling to go to meet a hated figure and find a delicate, blonde girl with a sweet face.On Monday, 23-year-old ballerina Alina Somova opens the batting for the legendary Mariinsky Ballet’s Covent Garden tour in Romeo and Juliet,...

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