avant-garde
10 Questions for Composer Max RichterSaturday, 26 September 2015
Composer, pianist, producer… Max Richter (b. 1966) is nothing if not prolific, not to mention unique. His traditional training, which included Edinburgh University, the Royal Academy as well as Florence, under composer Luciano Berio sits... Read more... |
Barbara Hepworth, Tate BritainWednesday, 24 June 2015
One of the earliest surviving sculptures by Barbara Hepworth is a toad made from a khaki-coloured, translucent stone; you can imagine it cool and heavy in your hand, not so very different from the animal itself, in fact. Made nearly 30 years later,... Read more... |
Reissue CDs Weekly: Peter ZinovieffSunday, 21 June 2015
Peter Zinovieff: Electronic Calendar – The EMS TapesRoxy Music’s June 1972 debut appearance on The Old Grey Whistle Test found them miming to “Ladytron” from their debut album, released that week. A prime focus for the camera was Eno, in a... Read more... |
CD: Jenny Hval - Apocalypse, girlSunday, 14 June 2015
Trying to pigeonhole Apocalypse, girl, Norwegian artist Jenny Hval’s third album under her own name, is like trying to grab onto a snake that is in the process of shedding its skin. It’s a simile that you can’t help thinking Hval would enjoy: “... Read more... |
Modigliani, Estorick CollectionMonday, 11 May 2015
Modigliani’s short life was a template for countless aspiring artists who, in the period after his death in 1920, were only too willing to believe that a garret in Montmartre and a liking for absinthe held the secret to creative brilliance. While... Read more... |
Sonia Delaunay, Tate ModernWednesday, 15 April 2015
In 1967 when she produced Syncopated Rhythm (main picture), Sonia Delaunay was 82; far from any decline in energy or ambition, the abstract painting shows her in a relaxed and playful mood. Known as The Black Snake for the sinuous black and white... Read more... |
Total Immersion: Boulez at 90, BarbicanSunday, 22 March 2015
Pierre Boulez sits in the back of a car as it drives across Westminster Bridge. He is talking about the audience appeal of his music, and he is characteristically direct. If the performance is good, and the situation is right, he insists, then... Read more... |
Spectres, The LexingtonThursday, 05 March 2015
I first saw Spectres last October at the 10th birthday celebrations for their label, Sonic Cathedral. That night, they struck me as noisy, spiky and fun. If that sounds like faint praise, it really wasn't meant to be – noisy, spiky fun is in my all-... Read more... |
Inventing Impressionism, National GalleryWednesday, 04 March 2015
Here is an exhibition that tells us how something we now take totally for granted actually came about: how our love affair with the Impressionists was masterminded by an art dealer, Paul Durand-Ruel (1831-1922). He was a prime mover in inventing the... Read more... |
Picasso: Love, Sex and Art, BBC FourThursday, 26 February 2015
So, Picasso’s last words turned out not to be, “Drink to me. Drink to my health. You know I can’t drink anymore” – yes, those famous last words that inspired a Paul McCartney dirge – but were, according to this TV biography looking at Picasso’s... Read more... |
theartsdesk in Moscow: Remembering George CostakisSunday, 22 February 2015
Russia’s national gallery, the Tretyakov, bears the name of its founder Pavel Tretyakov, the 19th-century merchant who bequeathed his huge collection of Russian art to the city of Moscow in 1892. His bust stands proudly overseeing the entrance to... Read more... |
Tutuguri, BBCSO, Nagano, BarbicanSunday, 01 February 2015
If what you wanted to do was go out to the middle of the Mexican desert, invert the Cross and dip it in blood, screaming obscenities all the while, surrounded by a sunburnt band of fellow travellers all off their heads on mescalin, Tutuguri is... Read more... |
