thu 03/07/2025

Austria

Andsnes, BBCSO, Bělohlávek, Barbican Hall

Pundits have always yoked architecture and Bruckner together, touting void and mass at the expense of the dynamic experience music ought to be. Abbado and his Lucerne Festival Orchestra favoured sinuous instability in the Fifth Symphony earlier this...

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Coote, Vinke, Philharmonia, Maazel, Royal Festival Hall

It was bound, in vocal terms, to be a case of Beauty and the Beast. Stefan Vinke, though useful for killer heroic-tenor parts like this one in Mahler’s Song of the Earth, has made some of the ugliest sounds I’ve heard over the past few seasons,...

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Schubert Recital 2, Christian Gerhaher, Gerold Huber, Wigmore Hall

Some great singers know how to modulate their beautiful instruments for long vocal life; others push technique and expression to the limits in countless concerts of a lifetime before burnout. Baritone Christian Gerhaher, it seems, belongs to the...

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Christian Gerhaher, Gerold Huber, Wigmore Hall

The queues weren't quite Proms-sized but they were long enough for the little old Wigmore Hall to seem more than a little overwhelmed. Expectations were immense. The past year has seen baritone Christian Gerhaher cast a singular spell over London...

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The Infernal Comedy, Barbican Hall

The Barbican committed a grave sin last night. It forgot that people matter more than art. That their responsibility to the families of those who Jack Unterweger (the subject of John Malkovich's music drama, The Infernal Comedy)...

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Egon Schiele, Richard Nagy Gallery

Egon Schiele, 'Woman With Homunculus', 1910

Richard Nagy's gallery has said that they don't want millions of people rushing to see their show of Egon Schiele's drawings of women - it's only a small second-floor space on New Bond Street after all, and 50 fragile pictures crowd the walls....

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Welsh National Opera Orchestra, Koenigs, St David's Hall, Cardiff

Lothar Koenigs: A master at pacing as well as spacing

Popping up on royal wedding day from the Niebelheim where they spend most of their working life, the WNO Orchestra brought with them a birth-and-death programme: hatch and dispatch, rather than match. Wagner’s Siegfried Idyll was a thank-you present...

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Faust, BBC Symphony Orchestra, Yamada, Barbican Hall

It's rare for demanding though not, I think, unduly cynical orchestral musicians to wax unanimously lyrical about a new conducting kid on the block. But that's what happened at the 2009 Besançon International Conducting Competition when BBC Symphony...

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Thomas Zehetmair, Wigmore Hall

Thomas Zehetmair: Rough intellectualism demands that listeners sit less than comfortably

Perhaps it was the effect of the elaborately mosaicked and marbled stage of the Wigmore Hall, but when a black-clad Thomas Zehetmair stepped out last night to occupy this space with just his violin and Bach for company, the image was incongruous....

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The Featherstonehaughs, The Place

'Egon Schiele' 12 years on: 'The attitude has altered. What was pathetic then, exploratory, has been turned into an exhibition.'

It’s a reasonable argument, I'd say, that it is only worth going out to see dance, or anything else, if it’s probably going to be better than telly or conversation with friends. And only if it’s also worth spending a couple of hours travel by...

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Revanche

The world is turned literally upside down in Revanche's long, eerie opening shot. We see trees reflected in a dark forest lake, hear animal and bird sounds - discordant, wild, somehow unsettling - and the faint boom of distant thunder. Then...

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Elegy for Young Lovers, ENO, Young Vic

We all know what you get when you find yourself snowed in with your family up a mountain: thunderous carpets, corridors of blood, redrum and a head in the snow. Hans Werner Henze's Elegy for Young Lovers isn't quite as murderously single-minded as...

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