America
Spider-Man: Homecoming review - fresh, funny version of the arachnid avengerWednesday, 05 July 2017
First introduced into the burgeoning “Marvel Cinematic Universe” in last year’s Captain America: Civil War, Tom Holland’s incarnation of Spider-Man is another triumph for this exuberant franchise (even if some might feel a pang for the fine and... Read more... |
The Mentor, Vaudeville Theatre review - having fun with artistic integrityWednesday, 05 July 2017
German writer Daniel Kehlmann’s light-touch 90-minute comedy is a chic satire on the slippery business of making art – and especially on the difficulty of assessing it. Whose judgement matters, after all? This production now in the West End was... Read more... |
DVD/Blu-ray: Daughters of the DustTuesday, 04 July 2017
Julie Dash’s remarkable 1991 film tells the story of the Peazant family, the descendants of freed slaves who live on the Georgia Sea Islands, an isolated community on the South-Eastern seaboard of the USA, more in touch with African traditions than... Read more... |
Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review – searing stuffWednesday, 28 June 2017
Broadway so frequently fetes its visiting Brits that it's nice when the honour is repaid. That said, it's difficult to imagine audiences anywhere remaining unmoved by Audra McDonald's occupancy – "performance" seems too mundane a word – of the... Read more... |
Classical CDs Weekly: Falla, Ravel, Antoine Tamestit, The American Brass QuintetSaturday, 24 June 2017
Falla: Nights in the Garden of Spain, Ravel: Piano Concertos Steven Osborne (piano), BBC Scottish Symphony Orchestra/Ludovic Morlot (Hyperion)Steven Osborne's solo Ravel anthology is among the best available, and it's good that he's now... Read more... |
Gloria, Hampstead Theatre review – pretty gloriousFriday, 23 June 2017
As with life, so it is in art: in the same way that one can't predict the curve balls that get thrown our way, the American playwright Branden Jacobs-Jenkins defies categorisation. On the basis of barely a handful of plays, two of which happen now... Read more... |
Whitney: Can I Be Me review - tragic account of superstar who fell to earthWednesday, 14 June 2017
The statistics of Whitney Houston’s career are flabbergasting in this post-CD era. Her 1985 debut album sold 25 million copies. “I Will Always Love You” is the best-selling single by a female artist in music biz history. Its parent album, the... Read more... |
DVD/Blu-ray: One-Eyed JacksTuesday, 13 June 2017
One-Eyed Jacks, the only film Marlon Brando ever directed, is a masterpiece by any reckoning, a classic western about love and treachery, as well as a startling and boundary-breaking re-invention of the genre.The tragedy unfolds, through many twists... Read more... |
Elif Batuman: The Idiot review - memories of student life and travels meanderSunday, 11 June 2017
University, anyone? Student days? If you were ever an undergraduate, who does not remember the simultaneous sense of dislocation and excitement, the feeling of the familiar combined with a heady awareness that we might fall off a cliff,... Read more... |
The Handmaid's Tale, Channel Four review - triumphant dystopian dramaMonday, 05 June 2017
The second episode of Bruce Miller’s brilliant dramatisation of Margaret Atwood’s The Handmaid’s Tale on Channel 4 finds Offred (the wonderful Elisabeth Moss) being penetrated by Commander Fred Waterford (Joseph Fiennes, looking conflicted). Of... Read more... |
Billy Bragg: Roots, Radicals and Rockers review - riffing on skiffle, and more besidesSunday, 28 May 2017
Wow! An unconventional opening for a book review maybe, but ‘“wow!” nonetheless. Subtitled "How Skiffle Changed the World", this is an impressive work of popular scholarship by the singer, songwriter and social activist whose 40-year (and counting)... Read more... |
An Octoroon review - slavery reprised as melodrama in a vibrantly theatrical showSaturday, 27 May 2017
Make no mistake about it, Branden Jacobs-Jenkins is a playwright to watch. London receives its first opportunity to appraise his vibrant, quizzical talent with this production of An Octoroon, for which he received an OBIE in 2014 (jointly with his... Read more... |
