mon 08/09/2025

America

Bob Dylan, London Palladium - busy painting his masterpiece

It’s the second night of a four-night run at the London Palladium of the Rough and Rowdy Ways World Tour – no other Dylan jaunt has taken an album for its title – and it begins with a blast of symphonic violence from the first movement of Beethoven’...

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The Watcher, Netflix review - fear and loathing in the New Jersey suburbs

Netflix can’t get enough of Ryan Murphy, whose list of productions with the super-streamer includes Halston, Ratched and recent hit Monster: The Jeffrey Dahmer Story. Now here he is again with The Watcher, a teasing little mystery based on a true...

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Hopper: An American Love Story review - a dry view of a much richer subject

This rather disappointing documentary about the great American painter Edward Hopper (1882-1967) has such a dry parade of experts and such a slow linear narrative that it leaves plenty of time to be frustrated by all that’s been left out.Made by the...

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Halloween Ends review - the final cut

It doesn’t really end till the last dollar’s earned. But David Gordon Green’s Halloween trilogy, and Jamie Lee Curtis’s signature role, draw to an eventually satisfying close here.Four years after Michael Myers’ bloody Halloween return, Laurie...

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Amsterdam review - Christian Bale lights the way into a fuzzy misfire's kind heart

Amsterdam is a multi-faceted anti-fascist shaggy dog story, like Jules et Jim scripted by an off-form Thomas Pynchon. Though it falters in many major ways, David O. Russell’s not especially funny, tense or well-acted spiritual sequel to American...

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Inside Man, BBC One review - strong cast trapped on a sinking ship

Screenwriter and showrunner Steven Moffat is renowned for some of his work, especially Sherlock, but other stuff not so much (I direct you towards Dracula or The Time Traveler’s Wife). When the history is written, Inside Man is liable to languish at...

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Album: The Bobby Lees - Bellevue

Unless you’re one of the infamous 1%, you might be forgiven for recently spending a bit of time searching for a booster to reinvigorate your mojo before a seriously difficult winter kicks in. Well, assuming that your electricity supply hasn’t...

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Blonde review - Marilyn Monroe thrown to the wolves

Andrew Dominik’s Blonde is an atrocity – a ghoulish biopic of Marilyn Monroe that luxuriates in her maltreatment and misery, culminating in protracted images of the star’s lonely death from barbiturate pills distractedly swallowed like candies and...

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Eureka Day, Old Vic review - fun if not entirely fulfilling

Can a play peak too soon? That's the quandary that attends the Old Vic airing of Eureka Day, Jonathan Spector's on-point if overextended comedy that was written prior to the pandemic but has absolutely come into its own just now. A skewering of...

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Sidney review - documentary portrait of Hollywood's first black superstar

When Sidney Poitier died in January at the age of 94, the obituaries were warm and respectful to the pioneering black movie star. Now comes Oprah Winfrey’s nearly two-hour tribute, complete with famous interviewees, some great movie clips, and...

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Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

Across the pond Winslow Homer is a household name; in his day, he was regarded as the greatest living American painter. He was renowned especially for his seascapes and his most famous painting, The Gulf Stream, 1899/1906 (main picture) features in...

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Bright Half Life, Kings Head Theatre review - ups and downs of a tender lesbian love affair

A tender love story has arrived at the Kings Head theatre from the US, where its author, Tanya Barfield, is an award-winning playwright for both television and theatre. The plot is simple: two women — one white, one Black — meet in an office where...

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