alternative
CD: Kurt Vile - Bottle It InWednesday, 10 October 2018
Kurt Vile is a cult artist with growing commercial heft. He’s gained this without making concessions to mainstream sensibilities. Ever since Walkin’ on a Pretty Daze in 2013 he’s become an unlikely contender, mustering sales. His last album, a... Read more... |
They Might Be Giants, Barbican review - genuine, authentic humourThursday, 04 October 2018
The songs of They Might Be Giants have an irresistible way of combining the playful, the childlike and the absurd. The band’s major label debut album, Flood from 1990, which was most people’s entry point into their music, is full of quick-witted... Read more... |
CD: IDLES - Joy as an Act of ResistanceWednesday, 29 August 2018
IDLES' debut album, Brutalism, exploded onto the UK post-punk scene last year, lauded by the music press (myself included) for its lyrical blend of charm, fury, and politics, and musically, for just being a refreshingly original and catchy punk... Read more... |
CD: Interpol - MarauderThursday, 23 August 2018
Over their past five albums, Interpol have crafted a strong sound that rests on the heavily reverbed, emotive vocals of singer Paul Banks, the subtly discordant guitars, and drums that pound along underneath it all. Although these can still be found... Read more... |
theartsdesk on Vinyl 42: Flaming Lips, Blacklab, Juno Reactor, U2, Ross From Friends and moreFriday, 17 August 2018
Initially, this month’s theartsdesk on Vinyl began with the sentence after this one, but it's so dry readers might drowse off, so I started with this one instead and would advise moving through the next one, just picking up the gist quickly...... Read more... |
CD: Breathe Panel - Breathe PanelMonday, 23 July 2018
Signed to FatCat records and purporting to create music that “recalls thoughtful days spent outdoors”, Breathe Panel’s self-titled album could easily be lost in the thriving soft-psych scene that seems to have set itself up in the south of England.... Read more... |
CD: Tanukichan - SundaysSunday, 22 July 2018
Shoegaze was only a moment really, a scene that flared briefly as the Eighties drew to a close. The music press – the “inkies” - used the term to describe bands, usually flop-fringed with lazy posture, whose heads would hang as they played gigs,... Read more... |
Gary Numan, Assembly Hall, Worthing review - hot and hammeringFriday, 20 July 2018
Arriving back onstage for an encore a broadly smiling Gary Numan bathes in roared football chants of “Numan! Numan!”. He tells us it’s just over 40 years since he released his first single, “That’s Too Bad”, but that he and his tight four-piece band... Read more... |
CD: Pram - Across the MeridianFriday, 20 July 2018
Birmingham outfit Pram achieved profile amongst alt-music connoisseurs shortly after the millennium. They’d been going for over a decade but their weird-masked presentation and spooked, abject music suddenly struck a chord. Being truly an art band,... Read more... |
CD: Laurel Halo - Raw Silk Uncut WoodFriday, 06 July 2018
So the ambient revival continues apace, getting deeper and wider with each passing year. From the interstices between the classical concert hall, abstract art installations, the backroom of more insalubrious little raves and festivals, the small... Read more... |
CD: Gorillaz - The Now NowWednesday, 27 June 2018
It’s hard to know who to write about when reviewing a new Gorillaz release. According to the official line, the band have shorn their usual guests to focus on the core creative team: vocalist 2D, drummer Russell, guitarist Noodle, and new bassist... Read more... |
The Cure, RFH review - sterling close-up show from alt-pop stalwartsTuesday, 26 June 2018
The Robert Smith-curated Meltdown festival in London came to a close on Sunday night with a spectacular, concept-driven headline set by The Cure, or CUREATION 25, as the band was actually billed, presumably because of a previously contracted show at... Read more... |
