adaptation
Birdsong, Comedy TheatreWednesday, 29 September 2010
Sebastian Faulks’s Birdsong has reached phenomenon status: number 13 on a recent BBC Big Read competition, part of the school curriculum along with World War One poets Wilfred Owen and Siegfried Sassoon, three million copies sold worldwide. Its... Read more... |
Les Misérables, BarbicanFriday, 24 September 2010
It's the Mousetrap of musicals, the wholly unstoppable show and, to mark its 25th anniversary this year (the 30th, if you date it back to the initial French concept album and Paris production), it will be staged in London at three different venues.... Read more... |
On Adapting Birdsong for the StageThursday, 23 September 2010
I remember walking into the Hawthorn Ridge cemetery, seeing a grave of a 20-year-old boy who died on 1 July, 1916, and knowing for the first time why Sebastian Faulks needed to write Birdsong, and why I desperately wanted it to live and breathe and... Read more... |
Bouquet of Barbed Wire, ITV1Tuesday, 07 September 2010
Apart from a few nips and tucks, age has not withered Bouquet of Barbed Wire. Anyone who can remember the original steamy adaptation of Andrea Newman’s fine novel will recognise the changes. Prue, no longer the manipulative cow who graced our... Read more... |
Bliss, Opera Australia, Edinburgh Festival TheatreMonday, 06 September 2010
Here we go again. Art takes on capitalism, round 4,598,756. The blissful life of Harry Joy, ad exec extraordinaire, beloved father of two, is (surprise, surprise) not quite what it seems. His wife is having an affair, his daughter is fellating his... Read more... |
theartsdesk MOT: The Woman in Black, Fortune TheatreFriday, 06 August 2010
A good ghost story never ends. Its twirling impetus sets a narrative top in motion that continues to spin indefinitely in the mind, propelled by the force of a listener’s imagination. As good ghost stories go, The Woman in Black is among the most... Read more... |
Alan Plater, 1935-2010Saturday, 26 June 2010
They don't make television writers like Alan Plater any more. He entered the profession when there was still an audience that could be relied upon to sit down in their millions and watch challenging drama from strands such as Armchair Theatre and... Read more... |
Wild GrassTuesday, 15 June 2010
It’s an odd enough statistic that only four of Alan Ayckbourn’s plays have been made into films. Odder still that, of those, three are the work of Alain Resnais, the grand old man of the nouvelle vague. Yes, it was a curious moment when the director... Read more... |
The Epic of England: Adapting Morte d'ArthurFriday, 11 June 2010
The RSC’s Morte d’Arthur is not what you’d call a rushed job. John Barton, the company’s advisory director, has been on a mission to see the work performed for at least 50 years. The director Greg Doran had also been wanting to stage Malory’s epic... Read more... |
Interview: Martin Amis on 'The Whole Book-To-Film Department'Friday, 21 May 2010
Martin Amis always had his own idea of who should play John Self, the anti-heroic slob narrator of Money. "The only regret I have in the whole book-to-film department,” he told me, “is that Gary Oldman never played John Self. We had a meeting with... Read more... |
The GhostMonday, 12 April 2010
Roman Polanski's vice-like paranoid thriller received its world premiere in Berlin in February amid the Chilcot inquiry and headlines about MI5's complicity in torture at Guantánamo Bay, and its topical echoes will rumble on uncomfortably (for some... Read more... |
4.48 Psychosis, Barbican TheatreWednesday, 24 March 2010
Sarah Kane’s last play is the stuff of legend. Since its first production some 18 months after her suicide in 1999, it’s become a favourite with black-attired drama students, nostalgic in-yer-face drama buffs and mainstream theatres all over... Read more... |
