adaptation
As You Like It / Hamlet, Shakespeare’s Globe review - ensemble emphasis sets a leaner styleFriday, 18 May 2018
There’s a distinct feeling of back to basics to this opening double bill at the Globe under the theatre’s new Artistic Director Michelle Terry. The elaborations (some would say gimmickry) of Emma Rice’s short tenure have been reined back, and a new... Read more... |
The Woman in White, Series Finale, BBC One review - good-looking, but flatTuesday, 08 May 2018
Much has been made of this adaptation of The Woman in White having an especial relevance for our times. Its concern with the power dynamics of gender relations was certainly hammered home right from the beginning, as Jessie Buckley uttered its... Read more... |
Lean on Pete review - a different kind of road tripFriday, 04 May 2018
British director Andrew Haigh's Lean on Pete is a heartfelt and surprisingly stark affair. Based on the novel of the same name by Willy Vlautin, the film follows a young boy and his stolen horse across America. Despite its simple premise, Haigh and... Read more... |
Coraline, Royal Opera, Barbican review - spooky story, underwhelming scoreThursday, 05 April 2018
With the eyes of musical fashion turned relentlessly on the calculating stage works of chilly alchemist George Benjamin, hopes ran high for a brighter spark in a new opera by his contemporary Mark-Anthony Turnage. Would Coraline, a music-drama for... Read more... |
Ordeal by Innocence, BBC One, review - Agatha Christie goes nuclearMonday, 02 April 2018
Ordeal by Innocence belongs to a new and, you hope, short-lived sub-genre. The only other stablemate is All the Money in the World. Both were in the can and good to go when very serious sexual allegations were made against a member of the cast. For... Read more... |
The Inheritance, Young Vic review - a long day’s journey into lightThursday, 29 March 2018
About a decade ago, theatre-makers started routinely describing themselves as being in the business of storytelling. And “storytelling” is most certainly the term that best describes Matthew Lopez’s two-part, seven-hour epic The Inheritance.... Read more... |
Kiss of the Spider Woman, Menier Chocolate Factory review - brilliantly performed and imaginatively stagedWednesday, 21 March 2018
No, this isn't the large-scale Kander and Ebb musical, which opened in 1992 in London before transferring for a sizeable run on Broadway. Laurie Sansom's expert production instead both revisits and revises the lesser-known source of that song-and-... Read more... |
Returning to Haifa, Finborough Theatre review - a bumpy journey into the Arab-Israeli pastFriday, 09 March 2018
This year the state of Israel marks its 70th birthday. Which means it will also be the year Palestinians remember the Nakba, the catastrophe, the mass dispossession. With that in mind, the Public Theater in New York commissioned this adaptation of a... Read more... |
Scott Bradlee’s Postmodern Jukebox, Roundhouse - hits and missesThursday, 08 March 2018
There are good musical reasons why it might never have occurred to you to wonder how Lady Gaga would sound if adapted by Duke Ellington; Radiohead by Sidney Bechet; or Bruce Springsteen by Frank Sinatra. Even if you still think those reasons are... Read more... |
Fanny and Alexander, Old Vic review - agile but shallow Bergman adaptationFriday, 02 March 2018
Could an epic cinematic masterpiece be turned successfully into a three-act play? Confession first: Ingmar Bergman's Fanny and Alexander is my No. 1 film. On one level a slow-burn, pre-World-War-One family saga, on another a timeless human comedy... Read more... |
Harold and Maude, Charing Cross Theatre review - Sheila Hancock serene in thin productionWednesday, 28 February 2018
The practice of mining the rich seam of popular movies to turn them into stage plays or musicals seemingly never grows tired in theatreland. And sometimes it produces a gem but all too often it’s just a cynical ploy to attract ticket sales by piggy-... Read more... |
'These star-crossed lovers are so young': adapting Brighton RockFriday, 16 February 2018
I never have the idea of adapting anything at all myself. The suggestions always come from directors or theatre companies. Someone calls me to say, Would I be interested in adapting this book… and I say… "Let me read it and get back to you”, then I... Read more... |
