adaptation
Jumanji: The Next Level review - raising their gameThursday, 12 December 2019
Two years ago Jumanji: Welcome to the Jungle dusted off the Robin Williams vehicle from the Nineties with entertaining results, improving on the original with astute casting, a goofy script and special effects that didn’t take themselves too... Read more... |
The Ocean at the End of the Lane, National Theatre review - terrifying, magical coming of age storyThursday, 12 December 2019
This scary, electrically beautiful adaptation of Neil Gaiman’s book about living on the faultline between imagination and reality is a fantastically alternative offering for the festive season. While the parameters of the story are dark, it’s an... Read more... |
Three Sisters, National Theatre review - Chekhov in time of warWednesday, 11 December 2019
Inua Ellams’ Three Sisters plays Chekhov in the shadow of war, specifically the Nigerian-Biafran secessionist conflict of the late 1960s which so bitterly divided that newly independent nation. It’s a bold move that adds decided new relevance... Read more... |
DVD/Blu-ray: The Holly and the IvyTuesday, 10 December 2019
British cinema has done so badly by Christmas that the revival of a film that parses the nature of the festival while mining its potential for sparking family strife is cause for celebration. Long neglected, The Holly and the Ivy (1952) has been... Read more... |
Motherless Brooklyn review – tic tecThursday, 05 December 2019
Edward Norton has wanted to adapt Motherless Brooklyn since Jonathan Lethem’s acclaimed novel was first published 20 years ago. His film (as producer, writer, director and star) is an obvious labour of love, an evocative, entertaining, old-fashioned... Read more... |
Charlie's Angels review - feminism-lite action comedyFriday, 29 November 2019
“Badass” – as applied to dynamic women – and “girl power” may be the kinds of exhausted clichés that are reductive in the #MeToo and Time’s Up era, but the new Charlie’s Angels movie revitalises the attitude they describe in a way that’s neither... Read more... |
Ophelia review - tragic no moreSaturday, 23 November 2019
Ophelia is one of Shakespeare’s most iconic yet underdeveloped dramatic roles. A sweet and naïve girl, she’s driven mad by Hamlet’s wavering affections and her father’s death. She was often the subject of paintings, yet rarely of novels until the... Read more... |
Judy & Punch review - a bold but blunt taleThursday, 21 November 2019
Professor Punch (Damon Herriman) was once famed throughout the lands as a masterful puppeteer, performing shows night after night with his dutiful wife Judy (Mia Wasikowska). Now, they have been relegated to the provinces. Specifically, the backwash... Read more... |
'Shakespeare is mistakenly considered something for the elite': director Claire McCarthy on 'Ophelia'Tuesday, 19 November 2019
Ophelia is one of Shakespeare's most enduring characters in both literature and art, and yet her part in Hamlet is limited to few lines and fewer motivations. Based on Lisa Klein's novel, the new film Ophelia challenges this interpretation. Daisy... Read more... |
Mary Poppins, Prince Edward Theatre review - a lavish but old-fashioned revivalThursday, 14 November 2019
It’s been 15 years since Cameron Mackintosh’s stage musical version of P. L. Travers’ Mary Poppins made its West End debut. Now, the magical nanny returns to the Prince Edward Theatre, with Zizi Strallen (who also headlined the UK tour) succeeding... Read more... |
'I’m having too much fun writing novels': author Nicolas Searle on The Good LiarThursday, 07 November 2019
"Surreal" is how the man calling himself Nicholas Searle describes the last five years of his life. He began working on his debut novel The Good Liar in 2014 at the age of 57, having recently retired from the Civil Service. The nature of his former... Read more... |
The Aeronauts review - up, up and okayThursday, 07 November 2019
Wild Rose director Tom Harper blends fact with fiction in a charming Victorian ballooning adventure that reunites Eddie Redmayne and Felicity Jones for the first time since The Theory of Everything.Redmayne gives an earnest performance as the real-... Read more... |
