thu 17/07/2025

21st century

BBC Proms: Tetzlaff, BBCSO, Robertson

I’ve noted before the lingering John Wilson effect on the BBC Symphony Orchestra, whereby that pioneer of Hollywood-style authenticity always leaves the strings especially who play for him in good, vibrato-drenched shape for late-Romantic music....

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BBC Proms: Clein, Britten Sinfonia, BBC Singers, Hill

Sofia Gubaidulina: a composer whose 'mistaken path' is as colourful as it is complex

Dominated by a focus on contemporary music, this year’s Proms’ Saturday Matinees have also developed something of a heavenward glance as the series has progressed. Last weekend it was the Christian mysticism of Hildegard of Bingen at the fore, with...

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BBC Proms: Ma, BBCSO, Robertson

Yo-Yo Ma: the consummate performer, bringing virtuosity to absolute simplicity

Over the past six weeks of the Proms the BBC’s hard-working Symphony Orchestra has performed everything from Britten to Brahms, Verdi to Volans. Their Mahler with Ed Gardner was an operatic epic, their programme of English music for Mark...

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theartsdesk in Reykjavík: Fanfare for the Harpa Concert Hall

After three days' motoring and clambering around the most awesome natural landscapes I've ever seen, how could a mere concert hall in a city the size of Cambridge begin to compare? Well, it helped that the façades in which that great visionary...

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BBC Proms: BBC Singers, Sinfonye, Hollingworth, Wishart, Cadogan Hall

Twelfth-century abbess, healer and mystic Hildegard of Bingen had no formal musical training. Perhaps because of this her music – exquisite arabesques of chant melody, animated by the conviction of her religious beliefs – creates a language all its...

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Classical CDs Weekly: Martinů, Muhly, ELF

Belohlávek: matchless in Martinu

A young American composer's work is showcased by a major label and doesn't disappoint. A classy British horn player enjoys teaming up with a pianist and a flautist. And an impressive cycle of 20th-century symphonies gets a welcome airing, thanks to...

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Wynton Marsalis Quintet, Ronnie Scott's

“Wynton Marsalis has had an enormous impact on jazz over the last 40 years,” say the programme notes, “being one of the first artists to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz.” Although...

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BBC Proms: National Youth Orchestra, Jurowski/ Nigel Kennedy

Youth was everywhere to be seen at the Proms last night. Whether in the massed ranks of Britain’s National Youth Orchestra, soloist Ben Grosvenor (even younger than the precocious Benjamin Britten when he debuted his own Piano Concerto in 1938),...

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DVD: Anna Nicole

“I wanna blow you all… a kiss” are our hapless heroine’s first and last words in this opera dealing with Anna Nicole Smith's real-life rise and fall in strip-cartoon, morality-ballad style. But it’s not by any means the shallow, voyeuristic tack-...

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Home Death, Finborough Theatre

Malcolm Tierney and Ania Marson as George and Diana Melly

What is a "good" death? How do most of us want to die? These are not questions that we often stop to ask, particularly in the theatre, where deaths tend to be either heroic or sordid. Two years ago, however, the playwright Nell Dunn’s partner of...

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Lullaby, Barbican Pit

Octopuses perform a stately pas de quatre, tentacles aloft.

There are few absolutes left in contemporary theatre. Fourth walls have long since crumbled underfoot; site-specific and immersive theatre experiences have further done away with divides between theatre and world, performer and audience. The one...

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We Are Shadows, Spitalfields Music

Rattus Rattus (Adam Green) and his cohort of exuberant rat-minions

Spitalfields Summer Music Festival is now finished for another year, but bid farewell to its audiences in fitting style with We Are Shadows – a new community opera devised by composer John Barber and librettist Hazel Gould. Bringing together over...

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