wed 16/07/2025

20th century

Mayerling, Royal Ballet

My great-grandmother used to say, "In the fall, leaves fall," meaning that as the weather gets colder, people die. The Royal Ballet has had leaves falling all year, and in the height of the (ha!) summer one of the most tenacious, and most beautiful...

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Ma, LSO, Tilson Thomas, Barbican Hall

What rare luxury. A three-concert series from the London Symphony Orchestra and their Principal Guest Conductor Michael Tilson Thomas is lure enough, but add three collaborations with Yo-Yo Ma as soloist and you have to rope off a special area in...

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War Requiem, Bergen Philharmonic Orchestra, Litton, Bergen International Festival

In Bergen’s Grieg Hall (one is tempted to say the Hall of the Mountain King) the 2013 Bergen Festival concludes with the mournful tolling of bells. A consonant “Amen”, like a healing benediction, is the last word and with it comes perhaps a glimmer...

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Owen Wingrave, Guildhall School of Music

Although originally commissioned by the Royal Opera House, Benjamin Britten’s opera Owen Wingrave was always intended to be an opera-for-television. Perhaps it’s this unusual pedigree that has scared off potential performances of this little-seen...

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Rutherford & Son, St James Theatre

Githa Sowerby's play, written in 1912 and a huge hit at the Royal Court and then in America, has been described as having qualities of Ibsen or Chekhov, and its themes certainly echo those writers' examinations of emotional claustrophobia and...

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London Contemporary Orchestra, Hugh Brunt, Aldwych Station

Three hundred years ago we danced and ate to art music. Before that we worshipped to it. In the 19th century we began to sit and stare at it. The immersive music movement of the past decade has moved things along again. Today we are encouraged to...

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Ariadne auf Naxos, Glyndebourne Festival Opera

The Major-Domo promises fireworks during the Prologue of Strauss and Hofmannsthal’s Ariadne auf Naxos. Katharina Thoma, the director of Glyndebourne’s new staging, drops a bombshell - actually several bombshells. Glyndebourne’s wartime history (as a...

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Propaganda: Power and Persuasion, British Library

Every time you turn a corner, he’s there, on yet another monitor. Either the exhibition curators have a sense of humour, or Alastair Campbell really is the last word on propaganda, a subject about which the British Library has mounted an excellent...

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These Shining Lives, Park Theatre

North London has a splendid new theatre, The Park, whose £2.5 million existence – without a penny of government subsidy – is something  of a miracle given our cash-strapped times. The building itself is also a bit of a marvel, tucked into a...

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Wozzeck, English National Opera

If you should take your seats prematurely in the London Coliseum you’ll find yourself confronted with a group of serving British soldiers. You’ll shift a little uneasily under their gaze. There they are, staring, smoking, loitering; there we are, on...

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Bostridge, Britten Sinfonia, Barbican Hall

The Barbican Hall’s house lights faded to black, with just the soft glow of music stand lamps on stage as the Britten Sinfonia filed on and eased into the Adagietto from Mahler’s Fifth Symphony. Directed from leader’s desk by Jacqueline Shave, the...

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Dangerous Edge: A Life of Graham Greene, Sky Arts 1

Early on in Dangerous Edge: A Life of Graham Greene, John le Carré remembers Greene telling him that childhood provides “the bank balance of the writer”. Greene remained in credit on that inspiration front throughout his life, even while he...

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