mon 09/06/2025

19th century

Pioro, Julien-Laferrière, BBC Philharmonic, Schwarz, Bridgewater Hall, Manchester review - joy on a Saturday night

This was at first sight a somewhat ordinary looking programme for the BBC Philharmonic: Beethoven, Brahms … even Stravinsky doesn’t frighten a Saturday night audience in Manchester these days. They come for a good night out and quite a lot...

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The English, BBC Two review - Emily Blunt's date with destiny on the prairies

Writer and director Hugo Blick isn’t afraid of getting stuck into some knotty and morally complicated issues, whether it’s Middle Eastern politics (The Honourable Woman) or the Rwandan genocide (Black Earth Rising), but perhaps he wouldn’t be your...

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William Boyd: The Romantic review - historical soap opera, anyone?

Writing in the Edinburgh Review in 1814, Francis Jeffrey began his review of Wordsworth’s The Excursion with a provocative denunciation of romanticism: “This will never do,” he complained. “It bears no doubt the stamp of the author’s heart and fancy...

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Kolesnikov, Hallé, Elder, Manchester review - commanding Smetana, Rachmaninov and Strauss

As Sir Mark Elder begins his penultimate season as music director of the Hallé, it’s clear that his command of, and communication with, the orchestra are as complete and purpose-driven as ever. It’s the first Thursday series concert of the new...

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Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

Across the pond Winslow Homer is a household name; in his day, he was regarded as the greatest living American painter. He was renowned especially for his seascapes and his most famous painting, The Gulf Stream, 1899/1906 (main picture) features in...

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Blu-ray/4K Ultra HD: The Piano

Jane Campion’s enigmatic, triple-Oscar-winning film looks as beautiful as it did when it was released almost 30 years ago. Holly Hunter (you can’t help thinking she’s been underused ever since, give or take her performance in Campion’s Top of the...

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Ride, Charing Cross Theatre review - A true story of female empowerment

Who tells your story? Something of a theme in new musicals since Hamilton posed the question in those long ago pre-Covid, pre-inflation days. In Ride, the once famous cyclist who had hardly ever ridden a bike, Annie Londonderry, circumvents the...

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Eiffel review - sensuous secret history

This is a romantic historical epic with elan, giving sensual immediacy to a fanciful secret history of the Eiffel Tower, here inspired by a forbidden, rekindled romance between Gustave Eiffel (Romain Duris) and Arlette Bourgès (Sex Education’s Emma...

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Utopia, Limited, National Gilbert & Sullivan Opera Company review - bounded rapture

Joseph Heller grew tired of being told that he’d never written anything as good as Catch 22. ‘Who has?’, he'd retort. In the same spirit, it’s futile to compare Gilbert and Sullivan’s late flop Utopia, Limited to The Mikado, The Gondoliers,...

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Gillam, Brodsky Quartet, Manchester Camerata, Buxton International Festival 2022 review - a freshness in classic Elgar

It’s an ill heatwave that brings nobody any good, and Buxton International Festival’s decision to move its highlight concert, by Manchester Camerata with Jess Gillam and the Brodsky Quartet as their guests, from the Buxton Octagon to St John’s...

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La donna del lago, Buxton International Festival 2022 review - Rossini’s romanticism for today

Buxton International Festival’s opera scene is clearly back on track for 2022, and its most substantial production a taut and tension-filled presentation of Rossini’s La Donna del Lago.Jacopo Spirei’s production, with design by Madeleine Boyd, has...

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The Dance of Death, Arcola Theatre review - hate sustains a marriage in new version of Strindberg classic

Rebecca Lenkiewicz's adaptation of August Strindberg's 1900 paean to the power of loathing over loving uses the now familiar trick of dressing characters in period detail while giving them the full range of the 21st century's argot of disdain and...

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