mon 14/07/2025

19th century

Shared Experience: sharing the work

Opening up the process: Shared Experience's joint artistic director Polly Teale

Shared Experience is certainly living up to its name; in a radical departure from normal theatre conventions, the company is currently sharing part of its rehearsal process with audiences as it develops Helen Edmundson’s latest work, Mary Shelley,...

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Classical CDs Weekly: Dvořák, Rózsa, Xenakis

Roger Woodward: Undaunted by Xenakis

An unreleased live recording from a much missed conductor provides heartwarming food for the soul, while another podium giant brings musicality to uncompromising Modernism, aided by a phenomenal pianist. Meanwhile, a Hungarian exile in Hollywood...

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Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge, Courtauld Gallery

As one of the stars of the Moulin Rouge, she was variously known by the nicknames "La Mélinite", "Jane la Folle", and "L’Etrange". The first was after a brand of explosive, the other two attesting to a little craziness. Jane Avril’s eccentric dance...

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Classical CDs Weekly: Beethoven, Dvořák, Strauss

Emmanuel Krivine's Beethoven: 'You’re convinced that what you're hearing is the only way this music should ever sound'

This week we’ve a brilliant, budget-priced box of Beethoven symphonies played on authentic instruments. It’ll remind you of how much fun there is to be had with this most iconic of composers. A historical recording of a famous cellist reappears, but...

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Tristan und Isolde, Opéra de Lyon

In the thicket of it: Wagner's lovers (Clifton Forbis and Ann Petersen) caught in flagrante by King Marke (Christof Fischesser)

Travelling by Eurostar, or plane, to the continent and buying a ticket, all for less than the cost of a Covent Garden stalls seat, might entice if you wanted to see a certain opera, singer or conductor. But to go so far for the look of a staging?...

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Classical CDs Weekly: Mahler, Schubert, Stravinsky

Thomas Zehetmair lays down his fiddle to conduct kindred spirits Schubert and Gál

A 20th-century Austrian symphony receives a memorable first recording, coupled with a witty, rarely played slice of Schubert. Mahler’s Resurrection Symphony is heard in a powerful reading recorded in the Royal Festival Hall. And we’ve an...

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Government Inspector, Young Vic

It's not often in classic comedy that you cry with laughter at the opening gags, and even rarer that the final scene of perfectly orchestrated ensemble acting actually crowns the work. More than two decades on from his groundbreaking Old Vic...

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Hard Times, Murrays' Mills, Manchester

This version of 'Hard Times' is in effect a classic TV series live: Alice O’Connell as Louisa Gradgrind and Verity May Henry as Sissy Jupe

Dickens wasn’t wrong – hard times they were. Around 1300 men, women and children worked at the Murrays’ Mills complex in the Ancoats area of Manchester in its mid-19th-century heyday (if you can call it that). Arrive a minute later than 7am and...

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Don Pasquale, Opera Holland Park

Don Pasquale (Donald Maxwell) and Malatesta (Richard Burkhard): A genuinely comic double act

Nothing says summer opera quite like the skittish melodies and Neapolitan oom-pah-pah of a Donizetti overture. It doesn’t get much cheekier or more playful than this, the kind of music that makes you long for a pea shooter to pelt opera-goers with a...

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Macbeth, Royal Opera

The staging smacks of Covent Garden's familiar Verdi-by-numbers - surprising since it's the often inventive Phyllida Lloyd's concept, revived by Harry Fehr, but it might as well be the inert pageantry of Elijah Moshinsky - while the necessary...

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Die Meistersinger von Nürnberg, Glyndebourne Festival Opera

Nuremberg's beloved Hans Sachs (Gerald Finley) addresses the midsummer crowds

So the world didn't end yesterday as predicted, and Wagner's divine comedy about the meaning of art has weathered the ironic apocalypse following Hitler’s misappropriation. Bayreuth reels, but we Brits are lucky to have two stagings in under a year...

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The School for Scandal, Barbican Theatre

Social graces: Alan Howard delights as the elderly cynic Sir Peter Teazle

"There’s no possibility of being witty without a little ill-nature,” preaches the Gospel according to Richard Brinsley Sheridan. What the playwright omits to mention, however, is that it is possible to be ill-natured without in fact being terribly...

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