sat 12/07/2025

19th century

theartsdesk in Dresden: Wagner and Vivaldi at the 2013 Dresden Music Festival

Sitting in the concert hall in Dresden’s Albertinum – the city’s modern art gallery – is a paradoxical experience. You are indoors, but faced on all sides by external walls, framed by Dresden’s typical bourgeois 19th-century architecture but looking...

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I Puritani, Grange Park Opera

Apparently Bellini’s I Puritani was Queen Victoria’s favourite opera. That wasn’t quite reason enough for director Stephen Langridge to condemn the cast of his new Grange Park production to this extraordinarily ugly sartorial era, but unfortunately...

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London Symphony Orchestra, Gergiev, Trafalgar Square

Down Whitehall, the English Defence League had been making ripples, and at 7.40pm some of its packs were still roaring round Trafalgar Square. At that moment, Berlioz’s March to the Scaffold from the Symphonie fantastique drowned them out in one big...

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DVD: Django Unchained

There’s something profoundly infantile about Quentin Tarantino’s quest to right the wrongs of history. Last time round he was retroactively bitchslapping the Nazis for the Holocaust. Here he’s punishing Americans who accrued obscene wealth out of...

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La donna del lago, Royal Opera

I mean, really, what is the point of Rossini? That’s actually not as stupid as it sounds. No-one has ever mistaken any of his operas for taut music-drama, and even the best of them are peculiarly difficult to pull off because without first-rate...

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The Pirates of Penzance, Scottish Opera, Theatre Royal, Glasgow

Of all the Savoy operas, this merry clash of pirates, policemen and a Major-General flanked by an entire chorus of loving daughters finds Sullivan most in tune with the mid-19th century Italian opera he so lovingly spoofs. So why can’t Martin Lloyd-...

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The Leopard: 50 years on from Cannes

It took Sicilian aristocrat Giuseppe Tomasi di Lampedusa, melancholy last scion of a never very reproductive family, a lifetime to get round to writing one of the 20th century’s greatest novels. Publication of The Leopard (Il Gattopardo), based on...

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DVD: Les Misérables

Fans of this bewilderingly popular musical, and they are legion, will not be disappointed. Director Tom Hooper knows how to tell a fast-moving tale that makes light of the final running time (originally 158 minutes, slightly shorter in this DVD...

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The Suspicions of Mr Whicher: The Murder in Angel Lane, ITV

The disgraced ex-cop turned private investigator has become such a trope of contemporary noir that the fate of the first great modern detective, following the events of his first televised outing, is not particularly surprising. The Murder in Angel...

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Don Carlo, Royal Opera

An operatic truism still doing the rounds declares that for Verdi's Il trovatore you need four of the greatest singers in the world. For Don Carlo, his biggest opus in every way, you need six. Nicholas Hytner's Covent Garden staging hits the mark...

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La bohème, English National Opera

I’m not one to get misty-eyed over La bohème (unless it be a red mist of rage), but this second revival of Jonathan Miller’s production at English National Opera brought me closer than any yet to understanding the snuffling, lip-quivering reactions...

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Juan Diego Flórez and friends, Barbican Hall

It takes a certain kind of artist to book American mezzo-extraordinaire Joyce DiDonato as a supporting act. It’s a risk. Even if you happen to be Juan Diego Flórez. But it’s one that actually paid off on the first night of Flórez’s three-concert...

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