fri 11/07/2025

19th century

Prom 53: Brahms Symphonies, Budapest Festival Orchestra, Fischer

About 10 minutes into the Brahms Third Symphony I wanted to check a name in the Budapest Festival Orchestra’s programme. I dared to turn a page. Bad idea. Such preternatural stillness had settled over the sold-out Royal Albert Hall that the gesture...

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Prom 52: Budapest Festival Orchestra, Fischer

The first of this year's two Proms by the Budapest Festival Orchestra had looked like a rather strange confection, on paper at least. With eleven scheduled contributions, and only two of them destined to make it into double figures, its timings had...

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Lady Windermere's Fan, King's Head Theatre

“We are all in the gutter, but some of us are looking at the stars,” declares Lord Darlington in Act II of Oscar Wilde’s Lady Windermere’s Fan. He’s the classic Wildean cad - unprincipled, facetiously witty and in this production, possessed of the...

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Swan Lake, Mariinsky Ballet, Royal Opera House

For a dance company, the always delicate balance between preserving your heritage and creating an exciting future becomes especially hard to negotiate when you are the most venerable institution in your field. The Mariinsky Ballet, now on tour in...

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Coppélia, English National Ballet, London Coliseum

For all it’s a balmy July here, the litany of appalling news from the world’s conflict zones will have left many of us feeling less than summery at heart. In that frame of mind, you might wonder whether Coppélia, English National Ballet’s latest...

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The Mill, Series 2, Channel 4 / The Lancaster: Britain's Flying Past, BBC Two

Supposedly, The Mill [*] was Channel 4's highest-rating drama of 2013, and the viewers' reward is this second series. However, the secret of the success of this dour, dimly lit series is hard to fathom. Its attempt to convert the history of working-...

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theartsdesk at the East Neuk Festival: Littoral Schubertiad

Schubert played and sung through a long summer day by the water: what could be more enchanting? The prospect did not take into account the pain in that all too short-lived genius’s late work: when interpreted by a world-class trio, quartet and...

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theartsdesk in Buxton: Dvořák rarity, Gluck tercentenary

Buxton has gone Bohemian, digging into Dvořák’s treasure trove and celebrating Gluck’s tercentenary. The choice of Dvořák’s The Jacobin fits the Buxton Festival tradition of rooting out neglected works, since this has been unjustly overlooked since...

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The Queen of Spades, Grange Park Opera

For my money, The Queen of Spades is one of the great nineteenth-century operas, a masterpiece of dramma per musica. There will always be pure spirits who cry “vulgar” at late Tchaikovsky. But the charge is absurd. Anyone with ears can hear the...

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Maria Stuarda, Royal Opera House

The Royal Opera House’s Maria Stuarda is the third major production of Donizetti’s historical opera in less than two years. First there was David McVicar’s kitschy-traditional production for the Met, then there was Rudolf Frey’s baffling concept-...

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Shopgirls: the True Story of Life Behind the Counter, BBC Two

We last saw Dr Pamela Cox presenting BBC Two's Servants: the True Story of Life Below Stairs. Having done the academic's-eye-view of Upstairs Downstairs, she has now moved on to the world of Mr Selfridge in this three-part survey of the rise of the...

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Manon Lescaut, Royal Opera

Puccini’s racy first masterpiece, like its successor La bohème, should feel like an opera of two halves – the first full of youthful exuberance, the second darker and ultimately tragic. The contrast here, alas, was between vivacious performers and a...

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