19th century
Sergei Vikharev, master ballet-reconstructor, 1962-2017Tuesday, 06 June 2017![]() Just as the 200th anniversary is about to be celebrated of the great genius of 19th-century classical ballets, Marius Petipa, the creator of The Sleeping Beauty, Don Quixote, La Bayadère, half of Swan Lake, and many other masterpieces, his oeuvre's... Read more... |
The Discovery of Mondrian review - the most comprehensive survey everMonday, 05 June 2017![]() Standing inside the Gemeentemuseum’s life-size reconstruction of Mondrian’s Paris studio, the painter’s reputation as an austere recluse seems well-deserved. Returning from Holland to France after the First World War, he lived and worked in what... Read more... |
Little, CBSO, Seal, Symphony Hall BirminghamFriday, 02 June 2017![]() The CBSO is justifiably proud of its association with Benjamin Britten. There’s rather less proof that he reciprocated, dismissing the orchestra as "second-rate" after it premiered his War Requiem in 1962. Throughout the 1950s, he’d repeatedly... Read more... |
Hokusai: Beyond the Great Wave, British MuseumTuesday, 30 May 2017![]() With its striking design, characteristically restricted palette and fluent use of line, Hokusai’s The Great Wave, 1831, is one of the world’s most recognisable images, encapsulating western ideas about Japanese art. First seen outside Japan in the... Read more... |
An Octoroon review - slavery reprised as melodrama in a vibrantly theatrical showSaturday, 27 May 2017![]() Make no mistake about it, Branden Jacobs-Jenkins is a playwright to watch. London receives its first opportunity to appraise his vibrant, quizzical talent with this production of An Octoroon, for which he received an OBIE in 2014 (jointly with his... Read more... |
theartsdesk on the Seine: a second new concert hall for ParisFriday, 05 May 2017![]() It's funny how Parisians grumble about any major new venue which lies outside their chic central stamping ground. First they moan about having to trundle out to the Philharmonie concert hall in the Cité de la Musique, and now they look as if they'll... Read more... |
Mayerling, Royal Ballet review - 'every ballet fan should see this'Saturday, 29 April 2017![]() Sure, there are things not to like about Kenneth MacMillan's Mayerling. Confusing plot. Plethora of characters. Unsympathetic (anti-)hero. Borderline melodramatic choreography. Tense, scary dénouement. But to be at the Royal Opera House last night... Read more... |
Lady Macbeth review - memorably nastyThursday, 27 April 2017![]() The Scottish play’s traces are faint in this bloody, steamy tale of feminist psychosis. Based on Nikolai Leskov’s Dostoevsky-commissioned novel Lady Macbeth of Mtsensk, its 1865 setting is transferred from Tsarist Russia to Northumberland.... Read more... |
theartsdesk Q&A: Horn-player Alec Frank-GemmillSaturday, 15 April 2017![]() Traditional musical formats rarely suit the individual talent, but the highly-motivated player always finds a way. I first got to talk to Alec Frank-Gemmill in the very sociable surroundings of the Pärnu Festival in Estonia, a gathering most... Read more... |
Dvořák Requiem, BBC Symphony Chorus and Orchestra, Bělohlávek, BarbicanFriday, 14 April 2017![]() Not your usual blockbuster for Holy Week, this. In other words, neither of the Bach Passions but a Requiem, and not – these days, at any rate – one of the more often-performed ones (it's not among the 79 works listed in The BBC Proms Guide... Read more... |
Patience/Tosca, English Touring OperaWednesday, 12 April 2017![]() How well do you know your bad Victorian poetry? “When through the purple corridors the screaming scarlet Ibis flew/In terror, and a horrid dew dripped from the moaning Mandragores.” Go on, guess the author. Or how about this? “What time the poet... Read more... |
A Quiet Passion, review - 'Cynthia Nixon is an indrawn Emily Dickinson'Friday, 07 April 2017![]() Is there something about the recessive life of Emily Dickinson that defies dramatisation? I'm beginning to think so after A Quiet Passion. The Terence Davies film may attempt a more authentic take on the unrelievedly bleak, and also great, 19th-... Read more... |
