19th century
Leif Ove Andsnes, RFH review - interior magic from a master colouristWednesday, 01 November 2017
Such introspective subtlety might be mistaken for reticence. But from the rare instances when the Norwegian pianist Leif Ove Andsnes lets rip - and they're never forced - you know he's wielding his palette with both skill and intuition, waiting for... Read more... |
The Lady from the Sea, Donmar Warehouse review - Nikki Amuka-Bird luminous in a sympathetic ensembleThursday, 19 October 2017
What a profoundly beautiful play is Ibsen's The Lady from the Sea. It stands in relation to the earlier, relatively confined A Doll’s House, Ghosts and Rosmersholm as Shakespeare's late romances do to the more claustrophobic tragedies. And with what... Read more... |
The Seagull, Lyric Hammersmith review – is Lesley Sharp's Irina a sex addict?Saturday, 14 October 2017
The awful mother, the celebrity-obsessed teenager, the mediocre old writer who wants some young sex in his life – there are motifs in Chekhov’s The Seagull that fly merrily from one century to another, and Simon Stephens and Sean Holmes’ new modern-... Read more... |
Uchida, SCO, Ticciati, Usher Hall, Edinburgh review - Berlioz steals the showFriday, 13 October 2017
"Mitsuko Uchida plays Mozart" might have been the marketing tag to sell out this first concert in the Scottish Chamber Orchestra's 2017-18 season (despite student and free under-18s take-up, the Usher Hall still wasn't full). "Dvořák Symphony No. 8... Read more... |
Classical CDs Weekly: Guy Johnston, Joyce El-Khoury, Michael Spyres, The ChanteuseSaturday, 07 October 2017
Guy Johnston: Tecchler’s Cello - From Cambridge to Rome (King’s College Cambridge)Acquiring a second-hand instrument always leads one to wonder what sort of a life it led before. Did said instrument enjoy a flourishing professional career, or was it... Read more... |
Widmann, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - when Mirga met JörgFriday, 06 October 2017
Apparently it was Mirga Gražinytė-Tyla’s idea to invite Jörg Widmann to be the City of Birmingham Symphony Orchestra’s Artist in Residence this season – indeed, according to backstage rumours she made the phone call herself. If that’s true, it’s a... Read more... |
Cavalleria Rusticana/Trial by Jury, Opera North review - sombre triumph and pale frothThursday, 28 September 2017
Pairing Mascagni’s Cavalleria Rusticana with Gilbert and Sullivan’s Trial by Jury makes for a pleasingly schizoid evening in the latest of Opera North's The Little Greats series. Mascagni’s crashing final chords precede a longish interval, and when... Read more... |
BBCPO, Mena, Bridgewater Hall, Manchester review - Mahler's Third lovingly realisedMonday, 25 September 2017
Juanjo Mena memorably began his tenure as chief conductor at the BBC Philharmonic with a Mahler symphony (the Second), and chose to enter his seventh and last season with them at the Bridgewater Hall with the Third. It was a testimonial to an era at... Read more... |
Drawn in Colour: Degas from the Burrell Collection review - guilty pleasures at the National GalleryMonday, 18 September 2017
If only a modest fuss is being made about the rare and prestigious loan currently residing in Trafalgar Square, it could be that the National Gallery is keen to forget the role of its former director, Dr Nicholas Penny, in a row about art... Read more... |
Pagliacci/L’enfant et les sortilèges, Opera North review - off and on with the motleyMonday, 18 September 2017
The first two one-acters in Opera North’s season called The Little Greats were unveiled on Saturday. There are six in all, scheduled on a mix-and-match basis so Leeds opera-goers can choose their own tapas menu: grab one show, choose from various... Read more... |
'Fanny Price’s pained silences gave me the impulse to write music for her'Saturday, 16 September 2017
When I first read Mansfield Park, some 30 years ago, I heard music. That doesn’t always happen when I read, and it certainly didn’t happen when I read other novels by Jane Austen. There is something about this particular book that provoked musical... Read more... |
La Bohème, Royal Opera review - spectacle and sentiment not yet in focusTuesday, 12 September 2017
“I’m not in the mood” – “non sono in vena” – sings aspiring poet Rodolfo as he settles down to write a lead article. Was it me, or had the mood not settled by the premiere of the Royal Opera’s first new production of Puccini's structurally perfect... Read more... |
