19th century
Bridgerton, Season 2, Netflix review - power politics and love triangles as Regency fantasy returnsSaturday, 26 March 2022
The first series of Bridgerton (Netflix) became a ratings-blasting sensation because of the way it thrust a boldly multiracial cast into the midst of a Regency costume drama, and because of the camera-hogging presence of Regé-Jean Page as the... Read more... |
Koranyi, Hallé, Berglund, Bridgewater Hall, Manchester review - beauty and joyFriday, 11 March 2022
It’s catching on … for the second consecutive night I heard an orchestra begin by playing, to a standing audience, the Ukrainian national anthem. The previous night it was Opera North’s musicians: this time the Norwegian conductor Tabita Berglund... Read more... |
Hough, BBC Philharmonic, Wellber, Bridgewater Hall, Manchester review - Beethoven for todayTuesday, 08 March 2022
There was something extraordinarily powerful and moving about Saturday’s Beethoven commemoration concert by the BBC Philharmonic and its chief conductor, Omer Meir Wellber.Originally planned for 2020 but of course postponed, its second part... Read more... |
Rigoletto, Royal Opera review - second time luckyTuesday, 22 February 2022
Two Royal Opera staples, Verdi's La traviata and Puccini’s Tosca, now come round with too much frequency for critical coverage. It looks like Director of Opera Oliver Mears’ Rigoletto will do the same. Yet the production’s September 2021 debut was... Read more... |
Wuthering Heights, National Theatre review - too much heat, not enough lightFriday, 11 February 2022
“If you want romance,” the cast of Emma Rice’s new version of Wuthering Heights say in unison just after the interval, “go to Cornwall.” They’re using the modern definition of romance, of course – Emily Brontë’s novel is full of the original meaning... Read more... |
The Tiger Lillies' Christmas Carol: A Victorian Gutter, Southbank Centre review - cult band get inside Scrooge's headSaturday, 18 December 2021
Charles Dickens and Martyn Jacques is a marriage made in heaven (well, hell I suppose): the Victorian novelist touring the rookeries of Clerkenwell the better to fire his imagination and, 150 years or so later, the post-punk maestro mining London's... Read more... |
Kehinde Wiley, National Gallery review - more than meets the eyeFriday, 10 December 2021
American artist Kehinde Wiley may be best known for his photo-realist portrait of Barack Obama, but painting powerful black men is not the norm. More often he elevates people met on the street in Brooklyn, Dalston or Dakar to positions of pseudo... Read more... |
Hanslip, Northern Chamber Orchestra, Stoller Hall, Manchester review - lyricism and challengeMonday, 06 December 2021
Manchester’s oldest chamber orchestra has been gathering a new audience at the Stoller Hall in Chetham’s School of Music since that auditorium opened, and Sunday afternoon’s programme provided an excellent example of where the Northern Chamber... Read more... |
Giltburg, Hallé, Elder, Bridgewater Hall, Manchester review - back to glorious normal?Friday, 26 November 2021
Sir Mark Elder and the Hallé were making something of a statement in this concert. Gone was the extended platform, gone the distanced orchestral seating of the past 18 months or so (strings now back to shared music stands), and the programme (also a... Read more... |
A Christmas Carol, The Old Vic review - not quite a festive-season crackerFriday, 26 November 2021
Four years and a Broadway run on from its Old Vic debut, director Matthew Warchus and writer,Jack Thorne are still throwing everything they can at one of the most familiar stories, and characters, in English literature. That may be to address the... Read more... |
Devin Jacobsen: Breath Like the Wind at Dawn review – the disturbances of the Civil WarMonday, 15 November 2021
How do you imagine the wind at dawn? Biting, brisk, peremptory – a kind of summons as another day begins? For Les Tamplin, wife-beater, sheriff, father to three sons, it is a detective, deathly wind, "the wind that cannot be stopped" which... Read more... |
Carmen, Opera North review - humanity and no bullThursday, 11 November 2021
Is Bizet’s Carmen all about Carmen? Or Don José and his obsession with her? Or the society that made her what she is? Or all of the above? Inevitably it’s an opera that almost never escapes some Regietheater treatment these days. Director Edward... Read more... |
