1980s
The Fall of the Berlin Wall with John Simpson, BBC Four review – the future we’ve left behindFriday, 08 November 2019
John Simpson remains the BBC’s longest serving foreign correspondent. Here, he returns to the biggest moment of his career. This personalised retelling of the collapse of the Berlin wall encompasses fond remembrance, factual detail and the... Read more... |
A Prayer for Wings, King's Head Theatre review - claustrophobic mother-daughter drama soarsSaturday, 02 November 2019
When Sean Mathias wrote A Prayer for Wings 35 years ago, the subject of young carers devoting their lives to parents with disabilities had just come as a revelation. That it's still very much a shame under another Tory government keeps this play... Read more... |
Ben Elton, Tunbridge Wells Assembly Hall review - magnificent return to stand-upThursday, 31 October 2019
It has been 15 years since Ben Elton, known as Motormouth in his 1980s heyday – last toured. A decade-and-a-half ago, one of the instigators of alternative comedy tells us at the top of the show, he could have still passed muster as young or cool.... Read more... |
The Mask of Orpheus, English National Opera review - amorphous excessSaturday, 19 October 2019
Advance publicity overstated the case for The Mask of Orpheus. "Iconic"? Only to academics and acolytes, for British audiences haven't had a chance to see a production since ENO's world premiere run in 1986. "Masterpiece"? Sitting there after the... Read more... |
Black Flag, The Mill, Birmingham review – hardcore punk originators come up trumpsThursday, 10 October 2019
Prior to this week, it had been 35 years since hardcore punk firestarters Black Flag had set foot in the UK. That said, it was not without some trepidation that I made my way to one of Birmingham’s more compact venues to see a band who had once been... Read more... |
CD: 808 State - Transmission SuiteSaturday, 05 October 2019
Prior to the UK dance music explosion of summer 1988, house and techno were American micro-scenes, geographically restricted to Chicago, Detroit and New York. Small coteries showed interest in the UK, but few thought of making the stuff. Mancunian... Read more... |
theartsdesk on Vinyl 53: U2, Moonlight Parade, Oasis, Stray Cats, Crass, Prefab Sprout and moreMonday, 30 September 2019
It’s reckoned that this time next year vinyl sales will have overtaken CDs. It’s still a small market and anyone who thinks vinyl will one day replace streaming is living on Planet Lah-lah. There’s so much coming out even theartsdesk on Vinyl cannot... Read more... |
Reissue CDs Weekly: The Daisy AgeSunday, 29 September 2019
In the lyrics of 1989’s “Doin’ Our Own Dang”, Jungle Brothers’ Mike D noted his combo were “Breaking the beat others wished they broke.” Going further, he acknowledged “Cause you’re trying to feel what’s on my reel to reel.” Jungle Brothers... Read more... |
The Sisters of Mercy, Roundhouse review - hits delivered from the darknessMonday, 23 September 2019
While bands such as The Birthday Party, Siouxsie and the Banshees and, especially, Bauhaus had a hand in inventing goth music at the start of the Eighties, it was The Sisters of Mercy who defined it. Their combination of black clad cowboy shtick,... Read more... |
Big the Musical, Dominion Theatre review - sweet if wildly overstretchedWednesday, 18 September 2019
The work isn't finished on Big, if this stage musical of the beloved 1988 Tom Hanks film is ever to, um, make it big. A Broadway flop in 1996 where it was among the last shows directed by the late, much-admired Englishman Mike Ockrent, the material... Read more... |
Edwyn Collins, Concorde 2, Brighton review - enjoyable evening of tight guitar popFriday, 13 September 2019
In March of this year Edwyn Collins released his ninth studio album, Badbea, his fourth since two life-altering cerebral haemorrhages derailed him in 2005. It’s a vivacious collection that runs the gamut of what guitar pop can be, from acoustic... Read more... |
Falsettos, The Other Palace review - affecting search for the new normalFriday, 06 September 2019
William Finn and James Lapine’s musical – which combines two linked one-acts, March of the Falsettos and Falsettoland, set in late 1970s/early 1980s New York – picked up Tony Awards in 1992 for its book and score, and was nominated again in... Read more... |
