1980s
Maria Reva: Good Citizens Need Not Fear review - tales of gloomy humour and absurdist charmTuesday, 19 May 2020
Maria Reva’s humorously gloomy debut collection, centring on the inhabitants of a block of stuffy apartments in Soviet (and post-Soviet) Ukraine, starts, predictably enough, with Lenin. Instead of an austere symbol of ideology, he’s a statue who “... Read more... |
New Music Lockdown 6: David Gilmour, Taylor Swift, Prince, Bat For Lashes and BlossomsWednesday, 13 May 2020
As the music industry slips into the rhythm of lockdown, so the spigot slowly becomes untapped and events, livestreams and similar start to flow more steadily. This week a host of big names are up to a bunch of different stuff, all worth checking.... Read more... |
Reissue CDs Weekly: Bob Stanley & Pete Wiggs Present The Tears of TechnologySunday, 10 May 2020
“Like mellotrons before them, synthesisers could project a strange and deep emotion – something in the wiring had an inherent melancholy. Previous generations had often disparaged synths as dehumanising machines but, at the turn of the 80s, a new... Read more... |
The Rise and Fall of The Clash, Now TV review - London fallingThursday, 16 April 2020
Open-mouthed incredulity is a reasonable reaction to this 2012 documentary on one of the UK’s prime punk-spawned bands, available on catch-up via streaming service Now TV’s tie-in with Sky Arts. There’s not much “rise” but there’s an awful lot of “... Read more... |
Reissue CDs Weekly: The Monochrome SetSunday, 12 April 2020
“An exercise in bizarre mixtures, combining the bleak acid hangover of half-hearted Velvet Underground impersonators with muted razzmatazz: a long and rather stylish joke.”The April 1980 New Musical Express review of The Monochrome Set’s debut... Read more... |
ZZ Top: That Little Ol' Band From Texas, Netflix review - riffs, drugs and rodeosThursday, 09 April 2020
ZZ Top always seemed like a Texan version of Status Quo. It turns out, from watching this entertaining but hardly revelatory documentary, that is kind of what they are. Directed by Canadian Sam Dunn, best known for his 2005 documentary, Metal: A... Read more... |
Wonderland, Hampstead Theatre online review - a major play about the minersWednesday, 08 April 2020
The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? In fact, this is one of the many eerily apposite remarks to be found in Wonderland, the Beth Steel drama set in the early 1980s that marks the... Read more... |
theartsdesk on Vinyl Lockdown Special 1: Napalm Death, Brazilian jazz-pop, 1980s indie and moreTuesday, 07 April 2020
For the duration of this C19 Lockdown, rather than the usual sprawling monthly epic, theartsdesk on Vinyl will be presented regularly in bite-sized editions, roving across the pile of releases we have already, since those incoming have been whittled... Read more... |
Reissue CDs Weekly: Hangman’s Beautiful DaughtersSunday, 05 April 2020
A raga-rock circularity. Finger cymbals. A distant, etiolated female vocal. A fuggy atmosphere. A kinship with Jefferson Airplane’s “Come Up The Years”, The Jesus and Mary Chain’s “Just Like Honey” and The Velvet Underground’s “All Tomorrow’s... Read more... |
Album: The Weeknd - After HoursFriday, 20 March 2020
Let’s talk about “Blinding Lights”. What a sleek single, like an escapee from the acclaimed soundtrack to the film Drive, a polished riff on mid-Eighties synth-pop, ripe for 21st century dancefloors, one of the songs of the year so far, all topped... Read more... |
Album: The Boomtown Rats - Citizens of BoomtownSaturday, 07 March 2020
The new Boomtown Rats album – their first for 36 years! – is both preposterous and rather wonderful. This is as it should be. The Irish band surfed the so-called “New Wave” after punk rock to brief chart-topping stardom. They had some cracking... Read more... |
Pete Paphides: Broken Greek review - top of the pop memoirsSunday, 01 March 2020
Think of the phrase “music memoir”, and you might conjure images of wild nights and heavy mornings. You’re unlikely to think of suburban West Bromwich and tributes to Mike Batt’s Wombles back catalogue. But then, Pete Paphides’s story is comprised... Read more... |
