1980s
I Get Knocked Down, Brighton Festival review - Chumbawamba singer's film is lively, funny and thought-provokingThursday, 19 May 2022
One effect of the film I Get Knocked Down, a playfully constructed journey around the life of Chumbawamba vocalist Dunstan Bruce, is to remind that socio-political rage was once woven into the fabric of popular music. Old footage from the band’s... Read more... |
theartsdesk Q&A: Marc Almond of Soft CellThursday, 12 May 2022
Soft Cell, the duo consisting of Marc Almond and Dave Ball, announced they were calling it quits in 2018. The two sold out shows at the 02 in London were supposed to be their swan song, waving goodbye to their Soft Cell days. But as their eponymous... Read more... |
Album: The Waterboys - All Souls HillMonday, 09 May 2022
This album starts with an unfortunate sound. Its title track begins with the kind of drum loop that rock bands from U2 on down adopted in the early 1990s having heard Massive Attack and Happy Mondays and deciding that they were going to get on the... Read more... |
Album: Soft Cell - Happiness Not IncludedMonday, 02 May 2022
When Soft Cell first caught the imagination of the nation it was a time of hope, opportunity and change. One of the first bands to bring technology to the top of the charts, they seemed to herald a new age after the grey years of the Seventies. They... Read more... |
Music Reissues Weekly: Fame - Jon Savage’s Secret History Of Post-Punk (1978-81)Sunday, 24 April 2022
“The Method” by The Method Actors was issued as the top side of a single in July 1981. Although recorded in London during September 1980 and only released by a British label, the band – a duo of guitar/vocals and drums/vocals – were from Athens,... Read more... |
Wolf Cub, Hampstead Downstairs review - haunting solo play about the American nightmareThursday, 14 April 2022
Ché Walker claims he wrote Wolf Cub, now in the Hampstead Downstairs studio space, in a two-day blitz prompted by Donald Trump’s election win in 2016. He was working in Atlanta at the time, the home city of Claire Latham, the solo performer for... Read more... |
The Mission, Chalk, Brighton review - the hits, delivered straight, to an enthused crowdWednesday, 13 April 2022
“Play something we can dance to,” heckles a fan. “Fuck off, we are not a dance band,” fires back Wayne Hussey, leader of The Mission. He’s right. They’re not. But still there is dancing.One especially notable aspect of this gig is the total and... Read more... |
Thatcher & Reagan: A Very Special Relationship, BBC Two review - when the Iron Lady met the Cowboy PresidentMonday, 04 April 2022
This two-part documentary about how the Eighties were partly shaped by the British Prime Minister and the US President was obviously planned long before the Russians invaded Ukraine, but it’s a powerful illustration of how history doesn’t stop, but... Read more... |
Music Reissues Weekly: The Prefects - Live At The Festival Suite 1978, Un-Scene! Post Punk Birmingham 1978-1982Sunday, 03 April 2022
It was going to be great. Birmingham’s Digbeth Rag Market was hosting 1977’s highest-profile punk festival on 17 July. The Clash were headlining. Also billed were The Heartbreakers, Rich Kids, The Saints, Shagnasty, Stinky Toys, Subway Sect and... Read more... |
Music Reissues Weekly: Theatre Of Hate - OmensSunday, 20 March 2022
During the first week of February 1982, Theatre Of Hate got as close to the mainstream as they’d ever get. They opened that week’s edition of Top of the Pops with a run through of “Do You Believe in the Westworld?” which was then at 40 in the Top 40... Read more... |
Album: Tears For Fears - The Tipping PointThursday, 24 February 2022
Tears For Fears were an odd non-presence through their most successful years. They were right up there in the premier league of stadium rock-pop bands, but had none of the Celtic romantic bombast of U2 and Simple Minds, weren’t as weird as... Read more... |
The Souvenir Part II review – the problem with posh realismTuesday, 08 February 2022
The Souvenir Part II apparently concludes Joanna Hogg’s fly-on-the-wall drama about a woman film student's emotional evolution as the victim of both her older boyfriend's abuse and the disdain of her male instructors. It’s a psychologically... Read more... |
